John Keith Culbreth (aka Cubby) was 16 years old—no longer the religious child he had been back in his childhood days spent in Anderson, SC—but was, unknowingly, poised for a divine intervention of life-altering proportions. While peacefully sleeping after a classmate’s musical performance, an entity presented itself to Cubby—the entity presented itself as God. “It was the most vivid dream I had ever had,” says Cubby. “It felt so bizarre.” “God” spoke to Cubby. It told him to contact his classmate, Will Blackburn, and come together to create music. Cubby obliged, Blackburn agreed, and the band proceeded to practice for over a year, never playing a show.
Stop Light Observations’ inaugural performance took place on Sullivan’s Island. Among the crowd was Cubby’s childhood pastor—a man with whom he had once had a close relationship. As it turns out, Cubby’s former pastor was Will Blackburn’s grandfather. Divinity had served up fate. Cubby and Blackburn had been childhood friends, but never knew it. SLO was born, and the sky was the limit.
But things didn’t truly take off until a few years later when SLO released their acclaimed 2013 debut, Radiation. Metronome hailed the record’s “emotive and elegant” songs, which landed perfectly in the sweet spot between arena and indie rock. The band went from relative unknowns to playing Bonnaroo and selling out Charleston’s largest club, The Music Farm, in just a year.
Since then, Stop Light Observations have broken the record for most consecutive sold-out shows at The Music Farm and have toured across the country, playing standout festival sets at Firefly, Summerfest, and more. SLO’s most recent LP, Toogoodoo, saw coverage at major national outlets from PBS and Conan O’Brien’s Fresh Noise to Impose, PopMatters and Garden & Gun, the latter praising Toogoodoo as “a promising debut from the band, who have wowed audiences throughout the South.”
Now, following the successful release of Toogoodoo, and an ambitious year on the road in support, Stop Light Observations are poised to tackle their next major endeavor—an ongoing series of digital 45s, each with an A-side and B-side, entitled The Volume, which will disperse the band’s hard-hitting yet melodic songs in a more immediate fashion.
“The Volume is much more than just bypassing the mechanics of an album,” Cubby explains. “Its about inspiring ourselves and others with this approach that lends itself to complete creative freedom. The Beatles released 250-plus songs in 7 years without the technology we have today. If they can do it, why can’t we?”
At the center of the first volume is Stop Light Observations’ new single, “Coyote.” It’s a stunning, slow-building piano ballad that evolves strikingly through distinct dynamic phases, vocalist Will Blackburn’s effortlessly toggling between a delicate croon and an anthemic howl. With “Coyote,” the group distills its already potent arena-ready indie rock all the way through the song’s powerful crescendo of an outro.