Rigometrics – Rigossance Tour
Rigometrics is making serious waves in the Northeast music scene with a dynamic, high-energy sound that blends the soul of classic rock with the grit of funk and blues, the hooks of indie, and the urgency of modern alternative. Their music fuses Josef Berger’s searing guitar work, Derek Haney’s hard-hitting, groove-driven drums, and Keenan Hendricks’ soaring vocals and swaggering piano, which doubles as the bass in their live setup, creating a genre-blurring style that feels both timeless and fresh. The result is a live experience and growing catalog that consistently draws in diverse audiences and fuels an ever-expanding, loyal fan base. Since forming in 2021, the three-piece has toured the East Coast and South ten times, sold out 300-cap venues, headlined major shows in Maine, and played over 350 gigs, entirely independently. Their catalog includes 2025’s Live in Maine II and single Couldn’t Tell Ya, 2024’s EP Elodie, live album Live in Maine, and singles Endless Road, All My Friends (Live for the Weekend), and No Smoke; 2023’s EP No Time to Waste and single Share the Fortune; and their 2022 debut album Rig N’ Roll. These projects are being shared through constant energetic live performances and an undeniable stage presence via a renovated school bus that the Rigometrics calls home when on the road. To bring these releases to life, Rigometrics collaborated with top-tier producers Jon Wyman, Matt Perry, and Anthony Gatti, as well as Grammy winners Dave Gutter, Adam Ayan, and ‘Bassy’ Bob Brockmann. Together, they crafted music that elevates Rigometrics’ signature sound while staying deeply rooted in the spirit of rock ‘n’ roll. LinkTree | Instagram | Spotify | TikTok | YouTube
Superchunk
“It’s always been the case that everyone is going through something that you may not be aware of,” says the band’s Mac McCaughan. “This is currently more true than ever—but also the case that we are all going through some things together. In the face of that, what good is art and where is happiness found? (Spoiler alert: I don’t know.)” In seeking an answer, Songs in the Key of Yikes unleashes a sound that is triumphant and bright in the darkness, Majesty Shredding in overdrive. Lead single “Is It Making You Feel Something” sets the tone early with the band—McCaughan, Laura Ballance, Jim Wilbur, and Laura King—building an anthem out of the potential for joy, diving into slop-polluted waters (“now fakes are faking everything / that once made your poor heart sing”) and emerging with a pearl. “This song is about not second-guessing yourself in the very second-guessable process of writing words and music,” McCaughan explains. “It’s about the legitimate question of ‘who needs this and what is it good for?’ but also about not setting such a high bar for making art that you never get started. ‘Is it making you feel something?’ Ok, that’s a place to start.” Songs in the Key of Yikes is a signature Superchunk album: visceral and timeless and catchy as hell—a cathartic balm for these oppressive times that will feel even better once we’ve figured our collective shit out. Website | Facebook
The Beths
“One of the greatest indie-rock bands of their time.” – Rolling Stone New Zealand indie rock heroes The Beths’ latest album Straight Line Was A Lie is a catchy, instant classic. Written in Los Angeles and self-recorded in the band’s hometown of Auckland, Straight Line Was A Lie (their first release for ANTI-) follows 2022’s critically celebrated LP Expert in A Dying Field. Lead singer and songwriter Liz Stokes delves deeper into her psyche to address everything from roundabout progress to physical and mental health challenges, and fraught family dynamics. Inspired by The Go-Go’s, Olivia Rodrigo, filmmaker Akira Kurosawa, and Stephen King’s On Writing, amongst others, Stokes’ songwriting has achieved startling new depths of insight and vulnerability. Fans will agree that Straight Line Was A Lie is the most sharply observant, truthful, and poetic Beths project to date. Website | Instagram | Facebook | Spotify | YouTube | Soundcloud | TikTok
Rivalry Night
Dugout Entertainment presents Rivalry Night featuring top talent from UNC and Duke! Chapel Hill favorites Jackson Slater and Red Kanoo will be representing the Tar Heels, while Durham veterans Weekend Therapy and rising newcomers Dialtone represent the Blue Devils! This will be an exciting night of music and community, be sure to show out and wear your favorite shades of blue! Jackson Slater || UNC || InstagramWeekend Therapy || Duke || InstagramRed Kanoo || UNC || InstagramDialtone || Duke || Instagram
Carrboro Bluegrass Festival
Mason ViaLaurie Lewis and The Right Hands Trenton Wagler and Eric BrubakerJon StickleyCody SistersHolland Brothers Carolina Bluegrass Ensemble+ More VIP Festival Patron Pass — $85 Limited to 100 tickets Support the festival and secure the best experience of the day VIP Festival Patron Pass holders receive: Guaranteed early entry — doors open 30 minutes before general admission Reserved seating in the first 10 rows, clearly marked and held exclusively for VIP Limited-edition festival poster, exclusive to VIP ticket holders The peace of mind of knowing your seat is waiting — no lines, no stress VIP tickets are limited to 100 tickets and will not be expanded once sold out. Reserved Seating — $70 Enjoy the festival with the comfort of a guaranteed seat. Reserved Seating tickets include: Reserved seating in the designated section Standard entry at door time Access to all festival performances Ideal for attendees who want a great view without worrying about arrival time. General Admission — $55 Be part of the Carrboro Bluegrass Festival. General Admission tickets include: Access to all performances Entry to the general admission area Seating availability on a first-come, first-served basis
Jordan Smart + Willy Tea Taylor
This is a seated show.
Melt
Pulsing with the energy of their hometown, New York City, ‘If There’s a Heaven’ (2024) is the debut album from indie band Melt. Hear the band simultaneously at their most airtight and freewheeling—evoking the raw, communal spirit of Fleetwood Mac as well as the modern, danceable hooks of MUNA. Recorded live to tape with producer Sam Evian (Big Thief), the eleven tracks span existential, feel-good pop (“Plant the Garden”), classic love ballads (“Your Name”) and lush, soulful rockers (“Heaven”). Melt’s debut is a joyous, timeless soundtrack for coming of age and finding oneself and one’s community. Melt formed in 2017 and cut their teeth touring on the heels of their viral single “Sour Candy.” Called “one groovy superorganism” by NPR, the band’s ecstatic live set has led them to supporting slots with a wide array of artists from Grouplove, Lawrence, My Morning Jacket, and Grace Potter. Back with their first release since ‘If There’s a Heaven,’ the band’s new single “Stay for the High” is 2025’s “Yellow”—an early aughts heartbreaker with the edge of a queer rock band. Website
Geordie Greep
Is The New Sound a tonic for these times? Let’s ask Geordie Greep. “Music can be so much more than learning to play the same as everybody else. It can be anything you want. With recording The New Sound, it was the first time I have had no one to answer to. Being in a band (black midi), we often have this ‘we can do everything’ feeling, but you are also kind of limited in that approach, and sometimes it’s good to do something else, to let go of things.” Geordie’s debut solo album boasts a brand of high quality, all-embracing alternative pop fun not heard in a very long time, walking the line between the ridiculous and brilliant with a teflon-coated aplomb. How the record came about is a thing to marvel at. Over thirty session musicians were involved in its making, on two continents. Greep says, “Half of the tracks were done in Brazil, with local musicians pulled together at the last minute. They’d never heard anything I’d done before, they were just interested in the demos I’d made. The tracking was all done in one, maybe two days.” The spirit of Greep’s increasingly febrile and furtive soliloquies simultaneously calls to mind both Frank Zappa and Frank Sinatra, with a healthy dash of Scott Walker sprinkled throughout. The instrumental title track is a jazz-funk workout that could double as a soundtrack for a TV series or the intro music for a Broadway musical. Brass, wah-wah pedal and bass stabs, choruses and polyrhythms, all fizz and tumble around the place creating a sense of excitement and expectation. Tracks often oscillate from whispers to shouts, and start and end on a bang. The stories themselves act as a shopping list of the Active Male Imagination. A series of vignettes, where Geordie Greep plays the role of emcee and conductor. The characters we hear from are engaged in wild fantasies and situations in which they inevitably falter. “The main theme of the record is desperation; someone who is kidding themselves that they have everything under control, but they don’t.” Here Greep gives color to a set of imaginings which include cannibalism, being boiled alive, and a woman giving birth to a goat. Street life is all around The New Sound: the listener is thrown into a world of cafes, bars, rented rooms, cabarets and strange museums. Here we see our heroes carry out a series of naughty assignments, military cosplay or socio-economic triumphs. The lines between parody and sermon are often blurred. The urbane romantic fantasy of single ‘Holy Holy’ tells the story of an imaginary liaison in a nightclub, soundtracked by ’noughties indie chords and bravura Latin big band arrangements – including a three-piano attack. What next? “My plan is to ‘do a Keith Jarrett thing’, have a different group of session musicians in a different place and lean into the fact that we’re not going to get it the same.” How can anything ever be ‘the same’ with Greep at the helm? Website | Instagram
Ritt Momney
To make Base, Jack Rutter (who performs as Ritt Momney) had to let go of everything. He had to get to the point where he wanted to quit making music. Tear everything down and build it all up again. Rutter had to let go of all the shoulds, and all of the expectations he thought people had for him and his music. So he hit the reset button, forgot about all the noise, and made a record he truly wanted to make. It’s his most realized offering yet: beautiful and weird and cool. A record of lo-fi bedroom rock that radiates warmth and honesty. Rutter’s story is one of reinventing yourself after viral success. After the release of his debut, Her and All My Friends, Rutter put out a cover of Corinne Bailey Rae’s “Put Your Records On.” The song was an unexpected hit, taking off almost half a year after it was initially released, and landing in the Billboard Hot 100. In 2021, he released his second full-length record Sunny Boy, a record of warm-to-the-touch bedroom pop. And then Rutter started to fall out of love with music. “I was starting to feel like I was making music because I had to,” he says, “but then I realized, I didn’t have to make anything if I didn’t want to.” This release from expectations was like a lightning bolt: Rutter felt a kind of freedom he had not felt in years. Enter Base. Base is Rutter’s third record. Since Sunny Boy, he’s bought a house in his native Salt Lake City, gotten married, and started treating his hobbies with the same seriousness he treats his music (for a period of time, he was bowling every morning of the week). In other words: he’s made a life for himself. A life where he has created the perfect environment to make music. Base is the product of this freedom. And you can tell from first listen. Base is a roomy, elegant collection of songs. “I believe in base creativity,” says Rutter. “Some kind of pure being. A solid foundation.” This was the goal with Base: to make a record that is rooted in that sort of boundless creativity. To make it, Rutter joined up with his bandmates, Rick West and Chris Peranich. On his past two records, Rutter would write and produce everything. On Base, he wanted things to be more collaborative. He wanted the record to have more of a live, analog sound. Base was recorded on an 8-track. No screens allowed in the studio during the initial recording. They’d use computers a little bit after the fact, but the goal was to make something that sounded organic. Like “Gunna,” a song about waiting and not knowing what you’re waiting for. The song starts out with acoustic guitars, then Rutter’s voice comes in. “As soon as she gets home,” he sings, “I’m going to be so nice.” There’s a little distortion, cracking open the song like you do with an egg and a fork. Keys and big drums. It’s a little Radiohead, a little Alex G.
Cece Coakley
Cece Coakley is a rising singer-songwriter living in Nashville, whose music blends indie pop, folk, and country influences into a heartfelt, melodic sound. With introspective songwriting and a laid-back vocal delivery, Coakley has quickly made a name for herself in the indie music scene and a revered artist and songwriter. Her 2022 debut EP, Tender, was written while she was living at home with her parents in Knoxville Tennessee, a time of deep personal reflection and creative growth. She has since gone on to release two projects Happy Adjacent & Soft Again following her move to Nashville. Coakley has spent most of her budding career on the road supporting artists such as Medium Build, Stephen Sanchez, Field Guide, and most recently Hazlett and Nell Mescal. Touring allowed her to connect with audiences across the country, further developing her artistry and confidence as a performer. Coakley is set to release her next EP on March 6th titled, Pleasant Attack, which includes songs “Pleasant Attack,” “Marionette,” “Personified” and “Future Tense” among others. Coakley’s EP was produced by her frequent collaborator, Sam Westhoff. With her distinctive blend of indie pop and country-tinged storytelling, Cece Coakley is proving to be one of the most compelling new voices in the indie-folk scene, carving out a path that feels entirely her own. Facebook | Instagram | Spotify | YouTube
