Arlie
Arlie is a band created by singer-songwriter, composer & multi-instrumentalist Nathaniel Banks. It began in summer 2015 as a solo bedroom project and grew to incorporate a full-band live show by fall 2016. Since Arlie started playing live, Adam Lochemes and Carson Lystad have been part of the performing ensemble on drums and guitar, respectively. Ryan Savage joined on bass in 2018. During the pandemic and the year prior, everyone involved in the group wound up going through some of the hardest times of their lives, in one way or another. But despite some major setbacks and challenges, they managed to come together and finish a debut full-length album as a team, with Ryan and Adam as co-producers alongside Nathaniel, Carson as a trusted go-to perspective, all together bringing a new batch of Banks’ songs and demos to full fruition. After finishing the record, the group added Noah Luna to the performing ensemble as a backing vocalist and multi-instrumentalist to complete the live show.Website | Instagram | Twitter | Facebook | Spotify | YouTube | Soundcloud
Ax and the Hatchetmen
Ax and the Hatchetmen came to party. The Chicago based rock and roll band’s shimmering three guitar attack, earthy rhythms and blistering horns have gained them a loyal following nationwide. Formed in 2018, the camaraderie and musicality between the long-time group of friends is apparent the moment they take the stage. Led by the vocals and guitars of Axel Ellis and Kenny Olzewski, the seven piece band also showcases Sal Defilippis on guitar, Hunter Olshefke on bass, Nick Deputy on drums, Phil Pistone on trumpet and Quinn Dolan on saxophone. 2022 saw the band complete two headlining tours as well as release four new singles that have amassed millions of streams globally. They plan on touring and releasing music for the foreseeable future. They also will party. Website | Facebook | Spotify | YouTube | TikTok
Dave Hause Album Release Show
Dave Hause’s songs have always been rooted in tangible reality—of emotion, of environment, of circumstance. Since releasing his debut album, Resolutions, in 2011, the Philadelphia-born songwriter has poured his whole heart, soul and life into his music. That’s no different on Drive It Like It’s Stolen, his sixth full-length. Its 10 songs overflow with Hause’s trademark urgency and passion, shimmering with a truth that reflects the harsh realities of life in this day and age, as well the intermittent jolts of joy that punctuate it. After all, his songs have always detailed his own personal traumas and triumphs within the setting of an unforgiving capitalist backdrop, tethering those personal experiences to ineluctable external forces. 2013’s second album, Devour, for example, was a response to his divorce from his first wife, while 2019’s Kick saw him tackle hope, depression, global warming and a crumbling American democracy with the news that he was to become a father. Most recently, on 2021’s Blood Harmony, Hause wrote and sang about the positive impact of having twins, and of the joy and excitement of being able to be at home with them for the first couple of years of the pandemic. Drive It Like It’s Stolen is just as earnest and heartfelt, raw and real as anything he’s ever written before. Yet there’s also a subtle yet significant difference—here he’s delving into a more fictional type of storytelling to create what he terms “post-apocalyptic Americana.” That’s clear from the title of this album’s haunting and ominous opening song, “Cheap Seats (New Year’s Day, NYC, 2042)”. Set two decades in the future, it’s obviously not about anything that’s actually happened, but is still very much inspired by life. Drive It Like It’s Stolen was engineered and mixed by David Axelrod, and—like Blood Harmony—produced by Will Hoge and recorded at Santi Sound in Nashville, though with a different set of musicians than that album’s all-star cast. Yet that’s not to the record’s detriment at all. On penultimate song “Tarnish”, a song about both a life lived and one still being lived—past and present coalescing in a beautiful mesh of wistful self-reflection, Hause sings ‘I never got a golden record/I guess the melodies were wrong.’ The performance and production of not just that song, but this whole record, proves that sentiment entirely wrong. It’s followed by “The Vulture”, a song that harks back to the defiance that dominated Kick but which is recast with his children in mind. It feels, too, like the cementing of the thematic shift he’s making on this record. These songs may still be for Hause, but they’re increasingly less about him. “My life is getting increasingly less interesting,” he smiles. “And that’s by design. You want to be steady, you want to be at a baseball practice or taking your kids to gymnastics or whatever it is. You don’t want to necessarily be staring into the abyss all the time and trying to determine your existential weight. I don’t want my life to become fodder for songs—I want my creativity to be the fodder for songs.” With this particular car ride, then, Hause is en route to a whole new world. Whether real or imagined or a combination of both, it’s time to buckle up for the ride. Website | Instagram | Twitter | Facebook | Spotify | YouTube
Less Than Jake Welcome to Rockview Tour 2023
The story of ska-rockin’ maestros Less Than Jake isn’t told in their sizable discography. It can’t be calculated by the amount of road miles they’ve logged. (But if we’re forced to calculate, we think they might be a block or two short of the Van Allen belts.) Nah! Less Than Jake’s cumulative worth is all about what they bring to your party. From sweaty club shows to uproarious festival dates to opening up for America’s most beloved rock acts, these five lifers’ deeds are best measured in the smiles they’ve slapped on the faces of true believers and new listeners, alike.Silver Linings is the name of the new Less Than Jake album, their first full- length for the Pure Noise label and the follow-up to 2013’s See The Light. It also doubles as a bunch of sonic diary pages and a mission statement that cements their conviction after two decades in this rock ‘n’ roll circus. Indeed, LTJ—frontman/guitarist Chris DeMakes, bassist/vocalist Roger Lima, trombonist Buddy Schaub, saxophonist Peter “JR” Wasilewski and new drummer Matt Yonker—have escaped most (but not all) forms of ennui, depression and violence against screen-based objects to create an endorsement of humanity.Silver Linings also does a good amount of myth-exploding in its pursuit of joy. The songwriting core of DeMakes, Lima and Wasilewski wrote all the lyrics. New drummer Matt Yonker, whose former positions included LTJ tour manager and hammering along with such punk outfits as the Teen Idols and the Queers, helps bring a new sense of urgency. And that album title? Yeah, that was decided upon long before bands began to offer face masks in their online merch stores. Pro tip: Dial back your preconceived notions. The only things the Jakes have to prove are to themselves. Their laurels aren’t so comfortable that they’d willingly choose to be painted into a retro- colored corner.While Silver Linings doesn’t skimp on the joy, fun or grooves, careful listeners will sense a bit more reality seeping into LTJ’s escapism. The calisthenic bounce of “Lie To Me” is slightly undercut by Lima’s tales of how “the flames we hold the closest burn the worse.” On the urgent track “The Test,” DeMakes dares to seek some self-examination through someone else’s prism. “Dear Me” might be the first rock song that doesn’t couch its disdain for technology with poetic metaphors. That track addresses the loss of friends via distance and tragedy. The word “love” also appears in the album’s lyrics at three junctures. That detail should not be lost on anyone.“We allowed ourselves to be vulnerable,” offers Wasilewski. “In the past, previous records’ lyrics were about leaving a specific place or time. This ismore about the departures in our personal lives: family, friends, relationships. We’ve never really explored that side. With this record, we tried to pull back that curtain. We’re showing some fragility in a time when people seem so hardened.“We’re not looking for silver linings,” he clarifies. “The record is about appreciating them. Nobody appreciates them until maybe it’s too late or maybe it’s after the fact.”Website | Instagram | Twitter | Facebook | Spotify
Chapel Heelz Presents Riot Night
Chapel Heelz PresentsRiot Night – a drag show to crash the cis-tem.
Elora Dash
Blending elements of contemporary R&B, classic soul, and jazz fusion, Elora Dash is an up-and-coming artist from Chapel Hill, NC. Elora is a vocalist and multi-instrumentalist who is breaking into the regional neo-soul scene. Her music is characterized by eclectic instrumentals and soulful vocals. Elora has had the opportunity to play venues such as Lincoln Theatre, HIgh Rock Outfitters, Camp North End, and the Flat Iron. She is joined by an all-star band, with the core members being Brady Kennedy as her co-producer and drummer, Daniel Combs as her keyboardist, and Nick Williams as her bassist.Her newest single was released in November 2022: an acoustic track titled “Disappointed”. Elora Dash and Brady Kennedy wrote, produced, and arranged this song. It features lush vocal stacks and a moving string arrangement from Matt Laird.In 2020, she released “Self-Actualization”, a 9-track instrumental collaborative lofi mixtape featuring many artists from around NC and the country. This project was her introduction as a solo artist, and after her newest single in 2022, she plans to go back to the studio to record several more singles in anticipation of an EP in 2023. Website | Bandcamp | Instagram | Facebook | YouTube | TikTok
Slow Teeth
Hailing from the NC Triangle, Slow Teeth Is Robert Chamberlain, Justin Ellis, and Jeremy Haire making original cinematic music inspired by Radiohead/The Smile, Pink Floyd, Sigur Ros, and many more. The band first started playing live in March 2022 and has since extensively toured all over the East Coast. Slow Teeth has shared the stage with such acts as Xiu Xiu, Holy Fawn, Camp St. Helene, and Merci. Notable venues and events played include Berlin (NYC), Pie Shop (Washington DC), The Cat’s Cradle (Carrboro NC), The Pinhook (Durham NC), Asbury Park Yacht Club (Asbury Park NJ), the North Carolina State Fair and the Carrboro Music Festival. 2023 will see Slow Teeth release music recorded with Sumner James Phillips (Bombadil, David Wax Museum) and more touring.LinkTree | Instagram | Facebook | New Song Formed in Athens, GA, Easter Island is an ambient dream-pop act, whose sound has been compared to Explosions in The Sky, Death Cab for Cutie, DIIV, and more. Over the years they’ve shared the stage with David Bazan, Cindy Wilson (of The B5s), The Low Anthem, Bully, Wild Nothing, White Rabbits, Valley Maker, to name just a few. The band’s debut record Frightened led to a number of television syncs, including ABC’s “Off The Map”, MTV’s “Awkward”, and a recent live appearance on CW’s Dynasty which aired in 2019. In early 2020, the band launched a Kickstarter campaign to independently release the new album on vinyl. Despite the rapid rise of the Covid-19 pandemic, they successfully raised the funds they needed to finally put this record out on their own terms. Since 2020, each band member now lives in a different city spread out over the U.S. Never to be put off by setbacks, the band chose to lean into the weirdness and produced a music video featuring each band member in their respective city, as well as recording the album in its entirety at Tweed Recording in Athens, Ga, for five cameras. The journey has been a labor of love and full of small gifts and miracles (they still like the songs after all these years!), and they’re overjoyed to finally be able to share it with the world with their first tour since 2019.Website | Instagram | Facebook | Spotify | YouTube Analog Mountains is the songwriting duo of Jack Gudhart and Chris Fulton. With a disregard for genre constrictions they operate in whatever mode grabs their attention; exploring the sonic corridors of electro pop, atmospheric dirges, garage tinged indie rock, and folksy fingerpicked meditations with equal measure. Bandcamp | Instagram
Erie Choir, Lud
Born of navel-gazing self-indulgence and vague ambition, Erie Choir began at the dawn of the new millennium as the solo acoustic folk singing sort-of-thing of Sorry About Dresden’s Eric Roehrig. After a pair of self-released EP’s and a few lineup changes, Sit-n-Spin Records released “Slighter Awake” in 2006.11 years later the follow up “Old Rigs” is here.Website | Bandcamp | Twitter | FacebookLud is a band in the Piedmont region of North Carolina. We started around 1993 and have played shows and recorded records ever since.Still working. Still playing. Still raining. Still dreaming.Bandcamp | Facebook
Tim Barry
“This big old heart ain’t running right // ‘Bout time to check the tires.” And so begins “Ain’t Much For Talking,” the opening salvo on Tim Barry’s latest album, Spring Hill. In a fashion that can only be called “perfectly Tim Barry,” the line carries with it some rather immense weight and rather eloquently and succinctly sets the table for what’s in store, both on the remainder of the song and on the album as a whole. If you’re expecting a baker’s dozen tales of introspection and honest reflection and occasional pointed-tongued humor and a handful of lines that’ll punch you right square in the solar plexus, you’ve come to the right place.It’s been just about three years since Barry’s last studio album, The Roads To Richmond, a span that pretty nearly matches the longest break between albums in a solo career that’s now closer to the end of its second decade than it is to its start. And while it’s fair to say that the years since The Roads To Richmond have seen the world-at-large continue to unravel in ways that are as varied as they are tumultuous, much of that turmoil is absent from Spring Hill. Instead, what follows, both on the remainder of “Ain’t Much For Talking” and on Spring Hill as a whole, as a real and thorough examination of where Tim’s been, a little of where he’s headed, and perhaps most importantly, where all of the many hard-earned miles on the above-mentioned tires have brought him to right now.Which is to say, Richmond. Since the early Avail days three decades ago, it’s been no secret that Barry is well-known for being a proud native son of the River City. References to the city and its neighborhoods and its history and its cast of characters have abounded for years, and that’s no different on Spring Hill. During the course of the last year, with most options for touring and live music mostly off the table, Barry returned to the familiar Richmond confines of Minimum Wage Recording, alongside his trusted producer-in-arms Lance Koehler. While that’s been the modus operandi since the days of Barry’s genre-defining debut full length, Rivanna Junction, in 2006, that’s not to say that he’s returned to the same well time and time again.Through the process of recording the songs that would become Spring Hill, Barry surrounded himself with a cast of Richmond characters to help fill out a sonic palette that ranges from sparse to haunting to dynamic, sometimes all in the same song. Tim’s sister Caitlin Barry once aga lends her violin playing talents, joined by the virtuosic harmonica stylings of Andrew Alli. Josh Bearman chimes in on mandolin and banjo. The multitalented Charles Arthur adds pedal steel and lap steel and resonator. Barry himself has added newfound banjo strumming chops to his signature vocal and guitar styles. The result is a Tim Barry record that’s comfortable in its own skin and also willing to explore some new and different levels. Recurring themes of freedom and of moving on abound. Barry long-ago perfected the craft of the “tell off” song, steadfast in his vision and eschewing the trappings and vanities of things like wealth and celebrity in favor of a truer, more real and fulfilled life. That is very much on display in “Free As The Wind” which extols the virtue of enjoying the real, human experiences of a “sunset with no filter, no trophy fish, no fake ass fucking smile.”Website | Instagram | Twitter | Facebook
Tom The Mail Man Presents: The 710S Tour
Tom the Mail Man is from Monroe, Georgia – a country town about an hour outside Atlanta. He’s a multi-genre artist who emphatically avoids putting a label to his music, instead focusing on creating a world for his fans to come together as one community. Recently, he’s been featured in PAPER magazine and Pigeons & Planes, performed at Life is Beautiful, partnered with Trojan Magnum and UPROXX for a documentary feature, and racked up more than 65 million streams across DSPs.TikTok | Instagram | Twitter | Facebook | Spotify | YouTube | Soundcloud
