Stacey Ryan
Stacey Ryan has a rare gift for turning heartache into bubbly, soul-infused pop. She first went viral with “Don’t Text Me When You’re Drunk” (25M+ streams), followed by her breakout hit “Fall In Love Alone” (#1 Billboard charting song in Indonesia & Top 5 in most of Southeast Asia), which earned over 500M global streams. A classically trained jazz pianist and multi-instrumentalist, Stacey has performed on The Late Late Show with James Corden, played major festivals like Montreux, MAD Cool, and BST Hyde Park (invited by Duran Duran), and headlined sold-out shows across the US, Europe, and Asia. Her 2023 debut EP I Don’t Know What Love Is was praised by V Magazine for its refreshing, soulful songwriting. Stacey recently released “Everything Everything,” the first single from her upcoming debut album. Her next single, “Homewrecker,” drops May 9, with the full album out in August. Originally from Montreal and now based in LA, Stacey continues to embrace her French-Canadian roots, going viral for her bilingual sound that blends Amy Winehouse charm with Laufey’s jazz-pop elegance. Instagram | Spotify | YouTube | TikTok
Beach Fossils
Throughout the last fifteen years, Beach Fossils have steadily earned their stature as one of the most definitive and enduring bands of the 2010s New York underground, consistently reaching new listeners as their sound has grown from the DIY solo project of Dustin Payseur to an influential four-piece dream pop band, self-produced and self-released. Bunny (2023) continues the stunning evolution of Beach Fossils’ sound, pulling elements from the jangly melancholy of the self-titled debut Beach Fossils (2010) and What a Pleasure (2011), the gritty, post-punk inspired tracks from Clash the Truth (2013), and the lush arrangements of Somersault (2017). Throughout, Payseur is joined by core band members Tommy Davidson (guitar), Jack Doyle Smith (bass), and Anton Hochheim (drums). Through tone and mood, Beach Fossils communicate a coming-of-age narrative of self-discovery. Payseur’s slice-of-life lyrics reflect on depression, love, adventure, loss, mistakes, New York City, friendships coming and going — a mélange of granular pieces in the process of continuing to find yourself. Website | Instagram | Facebook | Spotify | YouTube | Soundcloud | TikTok
Rickshaw Billie’s Burger Patrol
“Our catalog has never been short on big dumb riffs, but the idea on this record was to really turn the screw,” says RBBP bassist Aaron Metzdorf. On Big Dumb Riffs, that screw is cranked incredibly tight. “We just wanted ‘the part’: The opening of Pantera’s ‘Primal Concrete Sledge’, the breakdown in Primus’ ‘Pudding Time’ — the shit that makes you move and lose your mind. Just that part the whole time.” Across 11 concise, taut songs — most clocking in around 2 minutes or less — Rickshaw Billie’s Burger Patrol demonstrates their skillful ability to blend the merciless low end of Leo Lydon’s 8-string guitar, Aaron Metzdorf’s masterful chordwork on the bass, and Sean St.Germain’s driving drumming. Hot on the heels of their breakout 5th studio release Doom Wop (2023), Rickshaw Billie’s Burger Patrol returns with Big Dumb Riffs: A whole new variant of the fuzzed out, overdriven, melodic, groovy music they have been making since 2016. While Big Dumb Riffs is decidedly more aggressive and rhythmic, it still retains the overtly melodic feel of Doom Wop. But Leo Lydon’s vocals are considerably more angry and negative (song titles like “1-800-EAT-SHIT” and “Body Bag” should be a clue.) “The whole writing process was, ‘what if we just played two notes the whole song’,” Metzdorf says. “‘What if we tuned down to almost unusable string tension?’, ‘what if we write a record that will make everyone say ‘wow that is dumb’? Leo and I really move around on stage a lot. Being a dingus is crucial to the groove. All these riffs were designed to allow us to act bigger and dumber on stage.” Big Dumb Riffs will be available for streaming and download on March 22, 2024. LP to follow in late Spring. Website | Bandcamp | Facebook | Instagram | Spotify | YouTube
Nation of Language
Four years on from the release of their unexpectedly self-assured debut album, NYC based Nation of Language have attracted a rapidly growing international audience via their danceable and impassioned take on new wave, post-punk & shoegaze genres. Following the critical acclaim of their their first LP Introduction, Presence, its 2021 follow-up A Way Forward pushed them to a wider audience—landing them their late-night TV debut on The Late Show with Stephen Colbert and a string of sold out tours—and their 2023 record Strange Disciple has continued this momentum, landing Rough Trade’s coveted #1 album of the year spot. Now a mainstay atop lists of the best live acts of recent years, the band continue to charge synth-first into their latest chapter as a major festival draw at recent iterations of Austin City Limits Festival, Desert Daze, Pitchfork Festival, Primavera Sound, Corona Capital, Outside Lands, Bonnaroo and many others. Website | YouTube | Instagram | Spotify | Facebook
School of Rock AllStars
The School of Rock AllStars Tour takes the very best students from around the world and sends them on a country-wide summer tour, playing classic and modern rock and roll hits across the United States. Less than 1% of School of Rock students are selected each year to represent School of Rock as an AllStar. Becoming an AllStar is the highest level of achievement for a School of Rock student. These students often go on to have accomplished careers in the music industry. Former AllStars have gone on to become touring artists, star in Broadway musicals, get signed to record deals, become finalists on talent competitions like The Voice and American Idol, or have other notable roles in the music industry. Instagram | Facebook | YouTube
Anamanaguchi – The Buckwild Tour
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French Police
Formed in Chicago, French Police is a darkwave ensemble led by vocalist and guitarist Brian Flores, lead guitarist Manny Herrera, and bassist Rolando Donjuan. Since 2019, their music has encapsulated indie and post-punk audiences with rhythmic guitar & synths, proving to be melancholic dance music for the passionate and romantic. Website | Instagram | Facebook | Bandcamp
Motherfolk
Serious songs from goofy people. That’s what you can expect from diverse, Midwest indie-rockers, Motherfolk. What started out as a writing project among two college friends turned into a fully realized band untethered to genres, with an endlessly bright future. Composed of Bobby Paver and Nathan Dickerson on vocals and guitar, bassist Clayton Allender, drummer Ethan Wescott, and Karlie Dickerson on keys Motherfolk are not only bandmates, but best friends. The band’s close-knit relationship allows each member to be their most authentic self, leaving every ounce of their souls to be poured into each song and high-energy performance. Despite their light-hearted, groovy-rock sound Motherfolk is dedicated to creating a much deeper connection with their fans. They don’t shy away from the taboo, taking on heavy topics with a light heart. The results provide us with music you can dance to, whose impact is felt long after the song has ended. The band’s quirky friendship and social media posts originally drew fans in, but their connection to the music kept those fans around. Since their formation Motherfolk has been on a steady upward trajectory, amassing well over 5 million Spotify streams on their three studio albums and selling out shows while touring heavily across the United States. While COVID-19 halted the band’s year of touring plans, Motherfolk spent the year hard at work, creating and self-producing new music and they came out anew. Late summer 2021 will invigorate fans with new singles adorning the most refreshing and versatile Motherfolk sound to date, leading up to a fall EP release. This next chapter is slated to be the most exciting one yet, don’t miss it! Website | Instagram | Facebook | Youtube | Spotify | Bandcamp
Tune-Yards
Tune-Yards has partnered with PLUS1 so that $1 per ticket goes to supporting Street Spirit and their work as an independent newspaper dedicated to covering homelessness and poverty from the perspective of those most impacted. The paper is sold on the streets of Berkeley and Oakland by unhoused people, who keep 100% of the donations they receive. Formed by Merrill Garbus in 2006, Tune-Yards has become a name synonymous with creativity and forward motion. Known for explosive performances, surprising song structures, and danceable rhythms, their music also highlights connections between song and social consciousness. The New York Times praised their debut album, BiRd-BrAiNs, as “a confident do-it-yourselfer’s opening salvo,” and relentless touring established Garbus as a commanding live performer. Garbus stepped into the producer role with 2011’s w h o k i l l, a bold and sonically inventive album that earned critical acclaim, including the #1 spot on The Village Voice’s Pazz and Jop poll. By 2021’s sketchy., Garbus and bassist Nate Brenner had solidified their partnership, creating a fully collaborative work. The duo has announced their sixth studio record, Better Dreaming, to be released on May 16, 2025 on 4AD. Tune-Yards also excels in scoring, contributing to Boots Riley’s Sorry to Bother You, I’m A Virgo, and the forthcoming I Love Boosters. Their artistry continues to expand across music, film, and television. Website | Spotify | Instagram | Facebook | YouTube
Alejandro Escovedo with Mitch Easter, Doug Davis, Rob Ladd, Robert Sledge, Caitlin Cary, & Tonya Lamm
ORCHESTRALeah Gibson Webster, celloLibby Rodenbough, violinRachel Kiel, flute and “concertmaster”Jeff Herrick, trumpet Featuring guest performances by:John Howie, Jr.Sara Bell & Jeffrey Dean FosterPeter HolsappleCaroline Mamoulides & Steve Howell Proceeds benefit Lynn & Ecki during this challenging time. Please visit their GoFundMe if you’d like to make an additional contribution.
