Abbey Road LIVE! – Family Matinee

“One of the world’s premier Beatles cover bands”             -US News and World Report    “unquestionably expert at what they do”            -Indyweek   You loved Beatles music when you were a kid. Now YOUR kids have a chance to experience the magic of the Beatles LIVE in concert! Abbey Road LIVE! is well known in the Southeast for their energetic concerts at clubs, theaters and festivals. This time, the focus will be on the kids. Expect fun classics such as “Octopus’ Garden”, “Yellow Submarine”, and “Lucy In The Sky With Diamonds”. Does your child have a a favorite Beatles tune? Abbey Road LIVE! loves to take requests, and has often been known to invite kids on stage to sing along. This rare event will be big fun for the whole family!  **Special FAMILY PACK ticket available – admits 4 people for just $40!**   Website | Facebook | YouTube

Blue Cactus Album Release Show

Led by songwriters Steph Stewart and Mario Arnez, Blue Cactus got their start among the active honky-tonk circuit of North Carolina, developing an electrified twang that now branches out effortlessly into folk, alt-country, and psychedelic-tinged rock. Blue Cactus has supported a diverse set of artists over its eight-year history (The War & Treaty, Town Mountain, and Steve Gunn, among others), Stewart’s introspective lyricism and Arnez’s skill for lush arrangements making the band potent in the studio and on stage. Blue Cactus has since grown a cult following in the South and beyond. Their songs are currently featured in NPR Live Sessions and Billboard with albums reviewed in Paste, American Songwriter, and No Depression who praised their ability to paint “beautiful pictures of limitless possibility” in roots music.   Their sophomore album, Stranger Again, released in 2021 on Sleepy Cat Records, nabbed enthusiastic attention from tastemakers including No Depression, American Songwriter, FLOOD Magazine, Talkhouse, and INDY Week. Following their critically acclaimed 2017 debut and a string of singles in 2020, Stranger Again saw the band taking their sound to an ambitious new plane, where country-rock and light psychedelia mingle, vocals soaring over twangy slide guitars and propulsive basslines. Their third studio album, Believer, is set to release spring 2025 via Sleepy Cat Records.   Between the comfort of classic country and the glamor of 70s rock, Blue Cactus resuscitate a fleeting style of honest-to-goodness country music considered valueless to a “new” country music where songwriting is officiated by financial analysts and teams of marketing plutocrats instead of woebegone troubadours. With a high lonesome twang, a sweet southern drawl, and blistering guitar techniques, Blue Cactus firmly bear the flag for a new generation of country and Americana.   Website | Bandcamp | Instagram | Facebook | Spotify | YouTube | TikTok

Carolina Waves Showcase & Open Mic

Hosted by Mir.I.am, featuring DJ Kidfromthehill   Free for UNC students with ID.   ALL AGES. FREE TO PERFORM. FLASHDRIVES ONLY. $15 ENTRY.EARLY ARRIVAL HIGHLY SUGGESTED / FLASHDRIVES ONLY FOR TRACKS. ALL TALENTS, GENRES, AGES, INSTRUMENTS WELCOME   Email [email protected] with questions

Husbands

Husbands knows the galvanizing power of an anthemic, hair-raising song. As the co-founding songwriter behind the Oklahoma City indie rock outfit Husbands, Danny Davis has been meticulously crafting emotionally potent tunes about finding your place in the world. His writing always strives to break free from monotony and routine, aiming for meaning and clarity through massive choruses and colorful arrangements. CUATRO, Husbands’ adventurous and triumphant fourth album out Oct. 13 via Cowboy 2.0 and Thirty Tigers, marks a turning point for the band. It’s the first LP written after the departure of longtime bandmate and collaborator, Wil Norton. It’s also an album that Davis made during a time of relative personal stability after quitting his nine-to-five and moving with his wife to Costa Rica. Across 11 arena-filling and richly-produced tracks, the full-length is a document of his growth as a human being and a testament to finding peace in relationships evolving.   Website | Bandcamp | Instagram | Facebook | Spotify | YouTube

Monobloc

Soaring out of the underground of New York City’s booming DIY scene, Monobloc, helmed by vocalist Timothy Waldron and Michael Silverglade on bass, is an exciting new project forms by two friends with a shared ear for merging pop sensibilities, with a distinctly metropolis post-punk attitude.   Completed by Zack Pockrose on drums, and guitarists Ben Scofield and Nina Lüders, Monobloc’s strengths lie in their innate gift of storytelling; pairing textually rich, visceral and emotional detail, with a minimalist instrumentation that sits as confidently alongside some of NYCs artistic greats, as it does in its own lane entirely.   Undoubtedly a band to watch out for, Monobloc are rapidly on the rise. With a thriving live reputation across the US, 2024 sees the 5 piece come into their own with the release of singles ‘Where Is My Garden’, and the bonafide classic ‘I’m Just Trying To Love You’. A masterclass in heart-on-sleeve adolescence, ‘I’m Just Trying To Love You’ is equal parts new-age Indie, and timeless. Musically enlightened, and beautifully coming-of-age.   Monobloc are the ascending sound of a generation, and we’re only just at the beginning.   Website | Instagram

Darren Kiely

Hailing from a quaint town in Co. Cork, Ireland, Darren Kiely’s folk-infused pop sound originates from his inherited love of traditional Irish music, intertwined with modern influences such as The Lumineers, Mumtord & Sons, and Noah Kahan. At just five vears old, Darren learned the tin whistle, and at eight years old he picked up the fiddle, eventually teaching himself to play guitar as well. Darren began singing in 2019, quickly garnering attention for his raw and fervent vocals and emotive delivery. After winning numerous honors at a national level in Irish traditional music, Darren found his way to NYC in 2022 to continue developing his own music and sound, and soon after headed to the songwriting hub of Nashville. Signing to Free Flight Records, Kily’s unique presentation of folk-infused pop and lush storytelling, which echoes the backdrop of the inish countryside where he was raised, is the foretront of his debut EP, Lost. The seven-track project explores the triumphant war of overcoming self-doubt, struggling to find himself, questioning emotions and seeking answers, while his follow up EP, From The Dark, Kiely takes his craft to new heights as he explores the harsh realities that come with growing up and moving on. Lost features track “Mom & Dad,” which debuted in the Top 40 on the Irish Singles chart and lop 5 on the Irish Homegrown chart, as well as tan-tavorite “Sunrise” which reached No. 1 on the chart. Kiely took his new music on the road with his headline THE ROAD HOME TOUR & THE LOST TOUR, where he sold out shows across hishome country of Ireland and in North America and has toured with the 502s and Mat Kearny.   Website | Facebook | TikTok | Instagram | YouTube

Andrew Duhon

There’s a mystical allure to the road. Innately literal and figurative, it is both the blacktop and the connective tissue between people, places, and cultures. The opportunity to venture beyond what’s known and comfortable into what’s possible. A rugged romanticism of packing up a standard issue Chevy Express tour van with instruments, scuffed amps, overflowing merch boxes, and a trio of musicians setting sail to share Duhon’s songs with anyone who will listen. For a young Andrew Duhon, the road was the connection from “No Man’s Land” to the “Promised Land.” A chance to truly connect with former strangers through song. To feel equal kinship with the good ol’ boys in Beaumont, TX and the hippies and artists in Bellingham, WA. But with that comes a weight. Duhon has a knack for telling the kind of stories that clearly cost the writer something to tell, the kind of honesty that feels noble and never half hearted. Entertaining? Sure, but when a song written by a stranger heals you, even in the smallest way, that’s a connection beyond entertainment, and that is the journey Andrew Duhon sets out on from his home in Louisiana.  His songs are about recognizing our story as much as they are about telling his, and his coast to coast pursuits have given him a clearer view of the American Landscape than most are privy to.   But after years of voyaging off to every corner of the country, a new sensation arises with each return to New Orleans. The fondness for home returns and, for the moment, forgives the potholes and the incompetence of local politics to focus on those familiar sights, sounds, and singular culture of Louisiana from the old European feeling of The French Quarter to the rural cane fields of Cajun country where his father’s side resides, now noticing the changes after every stretch of time spent away. And from that familiar return comes The Parish Record, a snapshot of life venturing from and returning to one of America’s purest cultural vignettes, and the beauty, conflict, and stories that come with it.   The Parish Record was recorded at Dockside Studios in Maurice, LA, where deep in Cajun country sits a wood-panel barn engulfed in oak and cypress trees along the slow butterscotch bayou pace of the Vermillion River. In this isolated hub of Acadiana, Andrew Duhon embarked with his trio of most trusted musicians – Myles Weeks (James Hunter Six, Eric Lindell) on Bass, Jim Kolacek (Feufollet) on Drums, and Daniel Walker (Heart, Ann Wilson, Amy Ray) on Keys – to harness of the sound and feeling of their surroundings. Justin Tockett, the house engineer at Dockside is also, as Duhon claims, his secret weapon.  From Duhon, “Justin’s production is the most underrated thing in the room, and his spirit is peaceful and literally at home at that studio.  There’s a cat on his lap most of the time he’s mixing. I mean, come on…  That’s the feeling I wanted to feel when making this record from what felt like home to me. It wasn’t time to hit Nashville or try out something new on this one.  It was about believing in the songs from where the songs came from.”   Website | Instagram | Facebook | Spotify | YouTube

Sunflower Bean – Mortal Primetime Tour

Time marches relentlessly on, but it can pass unnoticed unless you find a way to capture it. For the entirety of their remarkable career, Sunflower Bean has made monuments of fleeting moments, by turning them into art, bottling them as song. They broke onto the scene as teens wise beyond their years with Human Ceremony, captured the melancholia of nascent adulthood on Twentytwo in Blue, and confronted the alienation of life under late capitalism on Headful of Sugar. Now in their Saturn Return, the band is back with the most hard-fought and vulnerable album of their career: Mortal Primetime. “You get to decide what your prime is, and you fight for it,” Cumming says. “This is ours, and that can’t be taken away by circumstance. We can’t take it away from each other. This moment, where we are now, is what we’ve always fought for.” That confidence is earned, because Mortal Primetime almost didn’t happen. In the years since Headful of Sugar, the members of Sunflower Bean drifted from one another as they pursued new projects and confronted personal challenges, tragedies and transformations. Synonymous with New York, the band lost guitarist/vocalist Nick Kivlen to California, leaving vocalist/bassist Cumming to write songs alone for the first time in the band’s history. Soon after, she separated from her long-time partner, informing much of her songwriting. Additionally, drummer Olive Faber birthed a new project, Stars Revenge, after coming out as transgender around the last album cycle. Despite the wealth of success they’d experienced together as a band – from the stages of Glastonbury and Lollapalooza, to touring with Beck, Interpol, and The Pixies – Sunflower Bean struggled to tend to their collective fire and tensions rose. The three friends grew up together and spent their twenties in the spotlight, but away from it, they struggled to make sense of who they were outside of Sunflower Bean. The future seemed finite – it felt like time was up. “Coming close to losing something you fought for, for over a decade, is a really good way to get close to your heart as an artist,” Cumming says. “Every long-term relationship, experiences challenges – you either stop or you go deeper. What is a band but a relationship with a body of work?” Reinvigorated, Sunflower Bean chose to keep the faith and go deeper. “Faith is just another word for a healthy dose of delusion,” Faber says. “We make good music together – how could we walk away from that?” All three original band members convened in Los Angeles, encouraged by the team that’s uplifted them from the very beginning. They doubled down by choosing to self-produce the album, tracking it live to ensure that the immediacy of the performances so essential to Sunflower Bean’s mystique shined through. “It’s such a rare and special thing for a band to have played together this long, so we wanted to lean into the skills we’ve built and take an old-school approach to the recording—which is maybe the most subversive thing we could do at a time when it’s so easy to copy and paste,” says Kivlen.   Website | Instagram | Facebook | YouTube | TikTok

Cigarettes @ Sunset, Noah Daniel & The Naked Cowboys

Cigarettes @ Sunset is a band that hails from the mountains of North Carolina consisting of Garrett Dellinger, Sarah Vann, Ryland Bagbey, Wells Whitman, and Ethan Moore. Forming in 2021, the band calls Boone home. Their debut album Mr. Pucky and the Star Destroyers was released in early 2023 resulting in a sound that merges Appalachian angst with pop, outlaw country, and punk. Since 2021, they’ve been touring regularly through the east coast with such acts as Dexter & The Moonrocks and others. The band’s music juxtaposes driving guitar riffs, drums that swerve out of country and punk,  with swelling violin, and Dellinger’s semi-autobiographical lyrics anchor the band in both time and place. Their live shows turn any venue into an intimate and energized space, amalgamating shoegaze, old time, and indie rock into a whirlwind of sound.   Linktree

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