The Happy Fits: Under The Shade Of Green Tour
Five years ago, the Happy Fits didn’t know they were going to be a band. Now, they’re recording their third full-length album, after their 2020 breakout release What Could Be Better. Turning a love for the Killers and Violent Femmes into their own compact pop songwriting, the New Jersey-based trio started as a casual summer project for high school friends Calvin Langman, Ross Monteith, and Luke Davis before going off to college. After their debut EP, 2016’s Awfully Apeelin’, took off on Spotify during their first semester, school stopped looking like the natural next step.“We came up with the title to record those four songs on our EP, and we thought that was going to be it,” guitarist Monteith says. “But once the songs got picked up and we really started questioning it, that’s when we decided to go for it and record the first album. When we left school was when we officially became a band.” Following their 2018 full-length Concentrate, the Happy Fits further honed their ambition for What Could Be Better’s collection of crowd-pleasers, which got the band signed to AWAL after being self-released.“Growing up, I was either in school, at home practicing, or at music school, and there was always this pressure to be really productive,” says primary songwriter Langman, who dropped out of conservatory to pursue the band. “When I decided that I wanted to do this for a living, being productive meant a totally different thing, because now I have to create things that are just in my head and make them real. Measuring how productive that is in my life, it’s hard to do that. There’s a lot of dissatisfaction I feel. I write that into the songs, all of the guilt that I feel for not sticking with a normal plan.”From the stomping “No Instructions” to the album-closing title track, What Could Be Better channels youthful malaise into songs that demand to be sung along to. The irresistible “Hold Me Down” cracked the top 30 on the alternative radio chart and became the album’s breakout favorite. Far from cloying, the band’s upbeat nature is rooted in a real desire to connect with a world that sometimes seems distant. It’s no wonder that NPR Fresh Air’s Ken Tucker said that they’re “making some of the freshest, catchiest pop music around right now.”On “What Could Be Better” Langman sings, “There’s a hole in my consciousness where I feel I belong,” a line inspired by his isolation as one of the few Asian-Americans in his hometown.“I don’t have crippling social anxiety, but I have always felt like I’m a bit different,” Langman says. “I grew up in rural New Jersey and was one of three Asian kids in my high school…Also, growing up, with Hollywood and TV shows, I didn’t see many people like me, especially half-Filipinos.”As the band’s stages get bigger, Langman knows he gets to be the role model he didn’t have, saying, “It feels really good to be someone that Filipino kids growing up in America could look up to.”Known for their uplifting live shows, the Happy Fits have stayed busy over the past year away from touring by livestreaming performances for fans around the world and making music videos for all 10 tracks on What Could Be Better. They’ve also been writing and recording a new album, planned for next spring. For now, fans can get a preview on the band’s 42-date fall tour of the US.Links: Website
The 502s
Known for their viral music videos on TikTok and raucous live shows, Floridian feel-good folk band The 502s are heading back on the road! The 502s provide the soundtrack for adventure, and that’s exactly the spirit behind the recent viral TikTok trend of their song “Just A Little While.” While the song was released in October 2021 as the lead-off to their album Could It Get Better Than This, it exploded in popularity in December, coinciding with the end of the fall school semester. The band fired up their TikTok one day and saw thousands of videos from college and high school students posting compilations of their school year experiences, all scored by the ebullient chorus of “Just A Little While.” Soon the trend caught on with users of all ages, locations and backgrounds, with the song appearing in videos of everything from motivational videos to makeup tutorials to globetrotting excursions. The result has been a massive influx of millions of new fans, pushing their streaming numbers through the roof and landing them on Billboard’s Hot Rock and Alternative chart, as well as the #3 spot on Spotify’s Top Viral 50 tracks. The 502s have grabbed the spotlight overnight, but they’re anything but a flash in the pan. The six strapping lads are no strangers to TikTok audiences, following a prior viral moment back in 2020 with a video for their song “Magdalene.” The most recent album is their second full length, and the band has already traveled on multiple tours across North America and Europe. The 502s’ sound can be described as a combination of the familiar folk pop singalongs of The Lumineers with the swelling instrumental energy of Paul Simon’s Graceland. Employing banjo, piano, and soprano saxophone as main instruments, the band is full of unexpected surprises and always ready to bring a smile and a shout when they hit the stage. Links: Website | Instagram | Facebook | Spotify | YouTube
Violent Femmes
Violent Femmes formed in 1981 as an acoustic punk band playing on the streets of Milwaukee, Wisconsin. Their main influences at that time were Gene Vincent and the Blue Caps and The Velvet Underground. Their goal was to rock harder than any other acoustic act on the planet.After being rejected for an audition by a local nightclub, the Femmes set up outside a Pretenders gig and began to play. Pretenders’ lead singer Chrissie Hynde asked them to open that night’s show, which gave the young band a publicity boost and caught the attention of Richard Hell, who invited the Femmes to open for him in NYC. A rave review in the New York Times eventually led to a record deal, which in turn spawned worldwide touring.Violent Femmes eponymous debut album became the first and only album in Billboard history to enter the charts with a platinum certification- eight years after its release. Over the ensuing three decades, the Femmes became a mainstay of festivals, clubs, and theaters in more than 20 countries worldwide.MTV’s “Unplugged” show was inspired by the Femmes, although they never actually appeared on it. Their raw sound and honest lyrical perspective has been cited as an influence by artists as diverse as Pink, Keith Urban, The Smiths, The Pixies, John Cusack, Mark Morris, and Wim Wenders.More than 30 years into their careers, Violent Femmes spent 2019 touring extensively and released Hotel Last Resort. After the COVID shutdown they successfully completed a full US tour with Flogging Molly in 2021. US touring continues through 2022.2023 will mark the 40th anniversary of the band’s debut album. The songs continue to impact younger generations to this day.Website | Facebook | Twitter
A Giant Dog
A Giant Dog is raucous ear candy culled from the hook-driven melodies of Slade, the glammy swagger of Marc Bolan, the morbid fantasy of Killer-era Alice Cooper, and the unpredictable wit of Sparks. These songs are by, for, and about the losers, freaks, and outcasts. The lonely. The terminally horny. Boozehounds and party animals.Links: Bandcamp | Instagram | Twitter | Facebook | Spotify
Russian Circles
Across the span of their previous seven studio albums, Chicago-based instrumental trio Russian Circles traversed a diverse topography of sounds, moods, and approaches with their limited armory of drums, bass, and guitar. It’s difficult to chart an evolution in their sound when their records have always felt like well-curated playlists. It wasn’t uncommon to hear drone-heavy meditations, dazzling prog exercises, knuckle-dragging riff-fests, haunting folk ballads, and tension-baiting noise rock all within the span of one album. Still, it’s difficult to ignore the progression from the pensive and intricate melodies of Enter (2006) to the layered distorted dirges of Blood Year (2019). It’s been a gradual sonic shift owing to the band’s rigorous tour schedule and a predilection towards playing their more authoritative material on stage. But with their latest album, Gnosis, Russian Circles eschew the varied terrain of their past work and bulldoze a path through the most tumultuous and harrowing territory of their sound. As was the case for so many artists in the age of COVID, the obstacles of geography and isolation forced Russian Circles to reevaluate their writing process. Rather than crafting songs out of fragmented ideas in the practice room, full songs were written and recorded independently before being shared with other members, so that their initial vision was retained. While these demos spanned the full breadth of the band’s varied styles, the more cinematic compositions were ultimately excised in favor of the physically cathartic pieces. Gnosis was engineered and mixed by Kurt Ballou. Drums and bass were tracked at Electrical Audio in Chicago to maximize the natural room sounds of the rhythm section. Guitar and synth overdubs were conducted at God City in Salem, MA to take advantage of Ballou’s vast inventory of amps and effects pedals. Despite the entirety of the album being written remotely, the songs were recorded with the full band playing together to retain the live feel of the material. Owing to the climate of the times and a new writing method, Russian Circles created their most fuming and focused work to date—an album that favors the exorcism of two years’ worth of tension over the melancholy and restraint that often colored their past endeavors.Links: Website | Instagram | Twitter | Facebook
Whitney
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?In the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.Links: Instagram | Twitter | Facebook
Alex Cameron
The shimmering star of Alex Cameron continues to shine bright from the gutters of show business four albums into his prolific career as an entertainer. And yet, people still have questions. Is he really 6 ft 4 inches tall? Why do none of his suits fit him properly? If he really is Australian, then why does he speak in a strange sort of European world news accent?And while the answers to these questions may or may not be of any interest to anybody – there they remain – shot into the sky like flares as red hot as the notes from his business partner and horn player Roy Molloy’s alto saxophone.Maybe Alex is the one looking for the answers. Maybe he’s the one who asked the questions. One thing is for sure, the person writing these words is not the man himself. And I can assure you, I was compensated fairly for the work. Don’t believe me? Just ask his band – the sultry six piece (Cameron and Molloy included) of exceptionally multi talented musicians with whom the business associates tour. Juice, Henners, Kramer and Parsons. A dynamic force equal parts hip thrusting rhythm and tongue tantalising tunes.Fresh off the world’s biggest stages – Roskilde, Primavera, Laneway. This act has seen it all. Now it’s your turn to see them.Catch Alex Cameron, Roy Molloy, and their band of perpetual freshness in your town soon. They sell out shows. Don’t find out the hard way. Links: Website | Instagram | Twitter | Facebook | Spotify | YouTube | Bandcamp
Caroline Rose
Superstar is an underdog story, and one not far off from Caroline Rose’s real life. After a years-long struggle to release what would ultimately become 2018’s LONER, deemed “a singular artistic statement from it’s unforgettable album art all the way down” (Pitchfork), Rose found herself in the midst of a new widespread audience, one both delightfully intrigued and perplexed about how and where to place her. That, combined with a developed set of studio skills and a challenge to “make something from nothing,” marked the beginning of Superstar. Gone are the polished Hollywood hunks and starlets of olde. Here is a shamelessly odd hero, or rather anti-hero, on a quest to become a someone.Inspired by cult classics such as The Bitter Tears of Petra Von Kant, Mulholland Drive and the mockumentary Drop Dead Gorgeous, Superstar plays out like a film with a beginning, middle, and an open ending. In album opener “Nothing’s Impossible,” the protagonist receives a mistaken phone call from the glamorous Chateau Marmont hotel. Taking the call as a sign toward a star-studded future, they (gender neutral pronoun) leave behind everything in pursuit of a newly established destiny.What ensues is a cinematic paradox that in one moment finds them strutting down a neon strip in full Saturday Night Fever hip-swing donned in their finest threads, and the next sipping a dirty martini at the rundown apartment complex pool, dwelling on life’s unfortunate turns. It’s a narrative Rose pulled directly from the somewhat shameless desires of her own growing ambition, as well as the public breakdowns of several notable celebrities. “To me, the satire is in what we’ll do and put up with in order to be successful. I wanted to make a story out of those parts of myself that are for the most part undesirable, then inject them with steroids.”Rose worked on the album in order of the story’s timeline, ensuring each track represented a chapter of the narrative in her head. Songs bursting with self-aggrandizement often reveal moments of vulnerability. “Feel The Way I Want” leads us with boisterous confidence through heartache by refusing to let pain get the best of us. Disguised as a Prince-infused bop, “Do You Think We’ll Last Forever?” expresses the uncertainty and anxiety that come with seeing a new partner, ending in a full blown freakout of bottled up nervous energy. The S&M-fueled love song “Freak Like Me” and the darkly comedic “Command Z” ultimately expose a fragile person coming to terms with their own humanity. Rose sings, “I looked around at all the people there / as I thought everyone we know will know will someday be dead / God, I just don’t want it to end / Undo, I’m gonna do it again”.Rose began formulating the songs and ideas for a sequel-esque follow-up to LONER in between the band’s near-incessant touring schedule, from playing sold out headline shows across the country and beyond, to becoming fan favorites at some of the world’s biggest festivals. “Two years ago I started touring with nothing, not knowing if I’d even have a career. Then all of a sudden we were playing to hundreds of people in a town I’d never heard of. The whole thing was fascinating. It got me thinking, just how much can you build from nothing?” As a result, Superstar was written, recorded and produced by Rose in her 10’x12’ home studio, as well as on a portable rig she’d set up in green rooms while on tour.Links: Website | Instagram | Twitter | Facebook
Snail Mail
On her 2018 debut album Lush, seventeen-year-old Lindsey Jordan sang “I’m in full control / I’m not lost / Even when it’s love / Even when it’s not”. Her natural ability to be many things at once resonated with a lot of people. The contradiction of confidence and vulnerability, power and delicacy, had the impact of a wrecking ball when put to tape. It was an impressive and unequivocal career-making moment for Jordan.On Valentine, her sophomore album out November 5th on Matador, Lindsey solidifies and defines this trajectory in a blaze of glory. In 10 songs, written over 2019-2020 by Jordan alone, we are taken on an adrenalizing odyssey of genuine originality in an era in which “indie” music has been reduced to gentle, homogenous pop composed mostly by ghost writers. Made with careful precision, Valentine shows an artist who has chosen to take her time. The reference points are broad and psychically stirring, while the lyrics build masterfully on the foundation set by Jordan’s first record to deliver a deeper understanding of heartbreak.On “Ben Franklin”, the second single of the album, Jordan sings “Moved on, but nothing feels true / Sometimes I hate her just for not being you / Post rehab I’ve been feeling so small / I miss your attention, I wish I could call”. It’s here that she mourns a lost love, conceding the true nature of a fleeting romantic tie-up and ultimately, referencing a stay in a recovery facility in Arizona. This 45-day interlude followed issues stemming from a young life colliding with sudden fame and success. Since she was not allowed to bring her instruments or recording equipment, Jordan began tabulating the new album arrangements on paper solely out of memory and imagination. It was after this choice to take radical action that Valentine really took its unique shape.Jordan took her newfound sense of clarity and calm to Durham, North Carolina, along with the bones of a new album. Here she worked with Brad Cook (Bon Iver, Waxahatchee). For all the album’s vastness and gravity, it was in this small home studio that Jordan and Cook chipped away over the winter of early 2021 at co-producing a dynamic collection of genre-melding new songs, finishing it triumphantly in the spring. They were assisted by longtime bandmates Ray Brown and Alex Bass, as well as engineer Alex Farrar, with a live string section added later at Spacebomb Studios in Richmond.Leaning more heavily into samples and synthesizers, the album hinges on a handful of remarkably untraditional pop songs. The first few seconds of opener and title track ‘Valentine’ see whispered voice and eerie sci-fi synth erupt into a stadium-sized, endorphin-rush of a chorus that is an overwhelming statement of intent. “Ben Franklin”, “Forever (Sailing)” and “Madonna” take imaginative routes to the highest peaks of catchiness. Jordan has always sung with a depth of intensity and conviction, and the climactic pop moments on Valentine are delivered with such a tenet and a darkness and a beauty that’s noisy and guttural, taking on the singularity that usually comes from a veteran artist.Website | Instagram | Bandcamp | Facebook | Twitter
Rebekah Todd
Rebekah Todd’s brand of “Cosmic Soul Rock” is a force to be reckoned with! Based out of North Carolina, Rebekah and her band bring a fresh energy to each performance, which carries fans to a place that can only be described as transcendental and unforgettable. Pulling from a wide range of influences from Hiatus Kaiyote to Tedeschi Trucks Band, Todd focuses on the art of expression, above all else. Todd currently has three releases under her belt; an EP, two LP’s with a third full length album “Realign” set for a Fall 2022 release. Todd has received countless awards and recognitions including 2013 Carolina Music Awards “Best Female Musician,” 2016 winner of Floyd Fest “On The Rise” Competition, 2017 Wilma Magazine’s “Woman to Watch,” 2018 Encore Magazine’s “Best Female Musician” and much more. The band is adored at festivals and Rebekah is known for exhilarating performances with acts such as Keller Williams, Big Something, Vince Herman, Andy Frasco, Yo Mama’s Big Fat Booty Band, The Fritz and has been billed alongside acts such as Karl Denson, Mavis Staples, Dr Dog, Dumpstaphunk, Artimus Pyle, Shovels & Rope, Hiss Golden Messenger, Citizen Cope, Sarah Shook & the Disarmers and Rusted Root. In addition to having her own podcast (Rebekah Toddcast), she has been featured on Michael Franti’s podcast “Stay Human.” Keep your eyes peeled for this rising star, as she aims towards the sky with no limits!Links: Website | Instagram | Twitter | Facebook
