Remember Jones

NJ-based soul/pop sensation named one of Paste’s Top 10 R&B/Soul Artists. In addition to two albums worth of original material, Remember Jones has performed recreations of Amy Winehouse’s Back to Black, Joe Cocker’s Mad Dogs and Englishmen, R. Kelly’s Trapped in the Closet, Jeff Buckley’s Grace, Alanis Morrissette’s Jagged Little Pill, and Kanye West’s 808s and Heartbreaks at clubs, theaters, and performing arts centers nationwide.Has shared the stage with Darlene Love, Hip Abduction, Rebirth Brass Band, Buster Poindexter, Nigel Hall, Southside Johnny & The Asbury Jukes, and many others.“Fiercely passionate front man…one for the ages…holds the audience in the palm of his hand” – Live for Live Music“Remember Jones is a one-of-a-kind, soulful, pop singer, storyteller and bandleader with a throwback vibe and authentic energy” – IMPOSELinks: Website | Instagram | Twitter | Facebook | Spotify | YouTube

Griffin House

This is a seated show.“Rising Star” is not a phrase one would normally use to describe an artist like Griffin House, who has been touring for more than 15 years and has recorded over 12 studio albums.The title of House’s upcoming release, Rising Star, references the first track on the album which tells the story of a character who moves to Music City, like so many do, with a guitar and a dream. Although not intended to be autobiographical, the listener gets the sense that this comical and fictitious tale could hardly have been woven by someone without a similar life experience to the protagonist in Rising Star.Indeed, House’s story began in much the same way. Moving to Nashville as a young man in 2003 with not much more than a guitar and a handful of songs, he took a part time job downtown at a Broadway gift shop, biding his time before he caught his big break. That big break came after just a few months, in the form of a phone call from Island Def Jam Records, which jumpstarted his career and led to him signing with CAA and Nettwerk Records.After that, things happened quickly for House. His 2004 debut album Lost and Found was lauded by music critics such as Bill Flanagan (Executive VP MTV/VH1 Networks) who featured House on the CBS Sunday Morning show as one of the “best emerging songwriters.” He began touring, opening for acts like John Mellencamp and The Cranberries, and found himself meeting people like Bruce Springsteen and Willie Nelson. By all accounts, House seemed poised to be more of an “overnight success” rather than a ”rising star”… but that’s not exactly how things turned out. “I’ve been a “rising star” for the past 15 years” House jokes, “It’s a slow rise.”Although House has enjoyed plenty of success as national headliner for over a decade and has earned a great deal of respect as a well-known performer and singer-songwriter, he seems to not take himself or his career in the music industry too seriously.Now married, sober, and a father, House has learned to balance his career by making his family and his sobriety his first priority. He pays tribute to his wife and children with When The Kids Are Gone, a song about watching his daughters grow up and imagining he and his wife as empty nesters.There’s a sense of lightness in his new record, which comes across particularly in the first few tracks, such as in Mighty Good Friend, where you can hear his daughters on the recording, and the tongue-in-cheek humor in 15 Minutes of Fame.House acknowledges that his new album is a collaborative effort. “I teamed up with my old buddies Paul Moak and Ian Fitchuk who helped me make my very first record Lost and Found.It was so good to reunite with them and work together again.” he says. “It’s amazing to watch these guys I started out with in the very beginning who are now world class musicians and producers winning Grammys. This album seemed to come together with a little more grace and ease than records I’ve made in the past, and I think so much of that is attributed to how good the people I got worth with on this record are, they all just happen to be really good friends too.”Links: Website | Instagram | Twitter | Facebook | YouTube | Soundcloud

Lights

Lights is many things all at once: Singer. Songwriter. Producer. Multi-instrumentalist. Comic book author. DJ. Artist. She’s also unabashedly honest and unapologetically confident. Weaving in and out of alternative, indie, electronic, and dance, she makes manic pop irreverent of boundaries, yet reverent of truth. She speaks her heart musically and her mind lyrically. It’s why her shadow over alternative music and culture continues to grow with streams in the hundreds of millions and widespread critical acclaim. Over the course of career thus far, the Canada-born disruptor has garnered four JUNO Awards, including 2020’s “Dance Recording of the Year” for the platinum smash “Love Me” with Felix Cartal and “Pop Album of the Year” for her previous two albums, Skin&Earth and Little Machines. She has sold out tours on multiple continents and powered collaborations with Travis Barker, deadmau5, Kaskade, Steve Aoki, Mike Shinoda of Linkin Park, and more. Now, she captivates like never before, kickstarting a new era with single “Prodigal Daughter.”Links: Website | Instagram | Twitter | Facebook | Spotify | YouTube

Del Water Gap

Del Water Gap is the solo project of songwriter and producer S. Holden Jaffe, born in New England. He has already amassed a cult-like following with more than 52 million streams worldwide and a slew of collaborations all before a debut album. Most recently he was featured on two songs “(Does It Feel Slow?)” and “New Song” from Maggie Rogers’ 2020 album Notes from the Archive: Recordings 2011-2016. In 2020 he collaborated with Claud on their track “My Body,” which Nylon called “an intimate and bittersweet ballad.”His newest singles “Sorry I Am,” (his debut release with Mom+Pop) and “Hurting Kind” have been well received by fans & media alike. “Sorry I Am” is a deeply confessional track, accompanied by an alluring music video filmed in a picturesque desert in Joshua Tree directed by Angela Ricciardi. This single follows his breakout 2020 track “Ode To A Conversation Stuck In Your Throat,” which racked up over 8.5 million streams on Spotify alone. It was the soundtrack to actors Margaret Qualley and Kaitlyn Dever’s summer pandemic dance party, and earned praise from Vogue UK as an “ear-worm.”Links: Website | Instagram | Facebook | Spotify

The Brian Jonestown Massacre

Links: Website | Twitter | Facebook | YouTube

Leprous

Marielle Kraft, Skout

When you hear Marielle Kraft’s music or experience her candid live shows, you feel as though you already know her. The Nashville-based indie pop singer/songwriter, originally from Rhode Island, displays craftsmanship beyond her years, evident through her use of salient detail, raw emotion, and poignant word choice to describe moments “exactly as they feel.”In spring 2018, she was crowned Grand Champion of the Mid-Atlantic Singer-Songwriter Competition, and the following June she delivered a Tedx Talk at Firefly 2018, discussing the importance of honesty rooted in her songwriting process.Marielle Kraft’s debut studio EP, “The Deep End” officially released on July 12th, 2019, is described by The Music Mermaid as “song after song of mini pop addictions.” In February 2020, Marielle Kraft co-released an “anthemic” and “heart-filled” single with Joshua Howard entitled “In It Together”, which quickly gained traction across platforms. Her October 23rd single, “Portland,” breathtakingly captures the moment we find ourselves in, and speaks volumes of the young artist’s songwriting abilities.Marielle Kraft has shared stages with names as big as Jon McLaughlin, Ava Max, and Betty Who. Her “winning personality,” “genuine connection,” and “gift for story telling” on stage have fueled the ever-growing crowds at each of her shows, with no signs of slowing down. Without missing a beat, Marielle Kraft released back to back singles to kick off 2021, both of which found major traction on Tiktok before becoming fully studio produced releases. “Everyone But Me” (February 19th) and “We Were Never Friends” (March 24th) feature a more developed sound than seen from Marielle before, and have cultivated her biggest streaming debuts to date. With more new releases on the way, Kraft is on track for an even bigger 2021.Since leaving her full-time teaching career to pursue a life committed to creating music, Marielle Kraft has promise to follow suit to artists like Julia Michaels and Maisie Peters as the young songwriter makes a growing impact in the indie pop scene.Links: Website | Twitter | Facebook | YouTube | Soundcloud

Dogs in a Pile

The sandy shores of Asbury Park, New Jersey are hallowed ground in the northeast; the rolling waves have ushered generations of venerated musicians to worldwide acclaim. Dogs in a Pile, an eclectic quintet, has emerged as the heir apparent to the town’s rich musical legacy. Merging funk, jazz, and rock and roll with psychedelia, the quintet presents a completely original vibe built on kaleidoscopic soundscapes eerily reminiscent of the days of yesteryear.The Dogs employ a unified approach to performance and songwriting, crafting aural mosaics through adept instrumentation and humble precocity. As avid storytellers, they draw inspiration from personal experiences, balancing life’s foibles with ever-present youthful sanguinity.Dogs began when Philadelphia University of the Arts guitar gun-slinger Jimmy Law began playing with young Joe Babick (drums), a student at the Count Basie Theater program in Red Bank, NJ. Lightning struck when they were introduced to Berklee School of Music student and bass player Sam Lucid, who immediately suggested fellow Berklee student and keyboard player Jeremy Kaplan. The addition of fellow Berklee student Brian Murray (guitar) in 2019 made for the quintessential final piece in the Dogs’ puzzle.A string of successful local shows drove the development of a massive northeast fan base, affectionately known as the Dog Pound. The band’s astronomical growth culminated in an epic, sold-out performance at the legendary Stone Pony in Asbury Park during the summer of 2021. Armed with a fresh batch of new material, Dogs in a Pile is taking its perpetually evolving testament to the Great American Songbook on tour in 2022, visiting plenty of new cities and spreading good music and good energy to good people along the way.Links: Website | Instagram | Facebook | YouTube | Soundcloud

Beach Bunny

Few artists can pinpoint an emotion as clearly and honestly as Beach Bunny’s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio’s songwriting project and four-piece band, it’s as if she’s singing about things everyone has felt before but never had the courage to put in words themselves. It’s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles “Dream Boy” and “Ms. California” encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It’s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny’s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and clear- eyed band that make some of the most charming and relatable rock anthems of the year.Links: Website | Instagram | Twitter | Facebook | Spotify | YouTube | Soundcloud

ADULT.

Over the course of the last two decades, Detroit-based duo ADULT. (Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio. November 1998 marked their first release: the five-song 12” “Dispassionate Furniture”. This September, twenty years later, Dais Records is proud to announce ADULT.’s seventh full length album: THIS BEHAVIOR.The album began as 23 demos written and recorded in a remote cabin in the woods of Northern Michigan during the dead of winter. In total isolation, and with a reduced amount of gear (a modified version of their live setup) on the cabin’s kitchen table, the duo were completely immersed in an incessant inescapable studio of their own making – looping, repetitive analogue sequences grinding away day and night. At the end of the intense demo session, a handful of peers were enlisted by the band for the difficult task of paring down the demos into the final album.The result is 10 tracks of uncompromising dark electronics, showcasing ADULT.’s return to aggressive and energetic dancefloor mastery. Album opener “This Behavior” alongside the follow-up “Violent Shakes” (which ascends into synths wailing like warning sirens over Kuperus’s commanding vocals) set the stage for an on-edge listen, while the heartbreaking “Silent Exchange” unfolds as a beautiful sad synth dirge. “Perversions of Humankind” breaks the mood – driving the listener into a slow and low groove before the frantic album midpoint of “Irregular Pleasure”. “Does The Body Know?” is the album’s post-punk anthem, with irresistible singalong “we’re out of order – we’re undefined!” The latter half of the album drives forward with “On The Edge (You Put Me…)” and “Lick Out The Content”, refusing rest and demanding movement and response. “Everything & Nothing” emerges slowly from sparkling synth textures, snowballing with nervous energy into an acid techno stomper before the album comes to a close on the icy landscape of “In All The Debris”, a goose-bump inducing slow electronic mantra that closes the curtain on a massive album.Dais Records is proud to present ADULT.’s THIS BEHAVIOR. Available on digital, digipack CD, and vinyl LP in stores 9/7, with exclusive limited vinyl colorways for UK & Europe.Artist statement on the album’s writing process:“It’s confounding how often we negate the importance of disconnecting, getting weird, getting lost. Discomfort and joy intertwined. Day to day, theatrical self-presentation set to rest in our frantic social world. Public becomes private, almost too private. Looking out into frozen woods as you deliver your vocals. For who? For what? Taking walks along icy shorelines as you try to overcome writer’s block, as you try to overcome yourself. Not seeing anyone for days and weeks on end. Overwhelming thoughts and feelings come rushing in; anxiety, fear, purpose, banality, futility of task, power structures, power struggles, pointlessness, collapse. You’re faced to face yourself. Your awareness is heightened. You are neither here nor there. You are in a liminal state. As you work in this isolated cabin your windows become mirrors.”Links: Website | Instagram | Twitter | Facebook

Genre: Miscellaneous