7th Annual Cupid’s Jam – Benefit Concert for TABLE

Please join us for the 7th Annual Cupid’s Jam – a festival show benefitting TABLE!   12:00 SORCH set #112:30 VA Beach set #11:00 Chesapeake set #11:30 BUFFER TIME/CHARITY ANNOUNCEMENT1:45 Good Yard2:15 candiland2:45 Locally Sourced Weaponry3:15 Danlee Gildersleeve &…3:45 BUFFER TIME/ANNOUNCEMENT4:00 Chesapeake set #24:30 VA Beach set #25:00 SORCH set #2   Sign Up For Summer Camps | Facebook | YouTube | Upcoming Shows

Florence Dore

Record release party! Nashville-born, Chapel Hill-based Florence Dore has just finished making her third record, Hold the Spark. It’s a gem. With a narrative bent that ranks her with the likes of James McMurtry and an ear for melody that has earned her comparisons with Lucinda Williams, Florence delivers rich storytelling with plenty of wit. Served up in rich, emotional vocals and backed by a killer rock band, the songs on Hold the Spark span the spectrum—ranging from a tear-jerking tender love song about Florence’s daughter to a hilarious Stooges-like rocker about the stupidity of academic meetings.   Florence also teaches songwriting at UNC, and this event features students from her songwriting classes.  Some will join Florence’s band, others take the stage with their own.   Bill Moore will MC the event. Bill is a Chapel Hill-based guitarist, folk musician and singer-songwriter. He writes and performs a diverse array of music deeply rooted in the traditions of his home state of North Carolina. With influences ranging from Bob Dylan to Bob Wills and from Charley Patton to Charlie Poole, Bill covers a wide range of styles including Piedmont blues, old-time, ragtime, swing, vaudeville blues and rockabilly. His original work blends these old styles in new ways and realizes them within the Carolina fingerstyle guitar tradition of artists like Reverend Gary Davis and Elizabeth Cotten.   Website · Instagram · Facebook · Spotify   Davie Circle is an alt-country/folk-rock band based in Chapel Hill, North Carolina. Formed in their tight-knit college town, the group quickly became a mainstay in the local music scene. Their name comes from a historic street where the band spent countless hours rehearsing, and it perfectly captures the spirit of their roots. Blending the free-spirited improvisation of jam bands, the lush harmonies of bluegrass, and the rhythmic groove of jazz with the storytelling traditions of Southern rock and Delta blues, Davie Circle creates a sound that’s undeniably American. The band brings a fresh twist to the genres they love, crafting music that feels both timeless and new.   Juniper: After meeting by chance in ENGL 409: Lyrics & Lyricists, Ella Deans, Ada Green, and Warner Vaughan couldn’t let their shared passion for music go to waste. With drummer Chloe Heneghan and bassist Jackson Kralic rounding out the lineup, Juniper has grown into an eccentric and electric rock outfit, merging North Carolinian elements of indie, folk, and country to soak their audience’s socks.   Don’t miss this special night of multi-generational Chapel Hill musical community that includes members of The dB’s, those working in their legacy, and lots of musicians in between.

Wild Party

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Fishbone – In Your Face 40th Anniversary Tour

For over four decades, Fishbone has been an unstoppable force in music, well-known genre disrupters fusing punk, ska, funk, and soul into an explosive sound that is as socially conscious as it is musically innovative. Emerging from the Los Angeles punk scene, the band quickly carved out a reputation for their high-energy performances and fearless engagement with political and social issues.   On June 27, 2025, Fishbone released their highly anticipated ninth studio album, Stockholm Syndrome, marking their first full-length LP in over 20 years. The album, a raw and powerful statement on modern life, picks up where the band left off in 1995—packed with infectious melodies, pure chaos, and politically charged anthems alongside reflections on life, relationships, and redemption. The first single, “Racist Piece of Shit” (aka “RxPxOxS”), dropped in November 2024, delivering a searing critique of global racism with Fishbone’s signature intensity. Their next single, “Last Call In America” co-written by original members Christopher Dowd and Walter “Dirty Walt” Kibby is a groove-driven commentary on the nation’s current economic and social struggles. “This song is a warning call to humanity to recognize the inflection point that is tearing the soul of this country and world apart,” shares Christopher Dowd.   Despite lineup shifts over the years, Fishbone’s spirit remains unwavering. 2024 saw significant changes as founding members Norwood Fisher and Walter Kibby stepped away, leaving the band in the capable hands of frontman Angelo Moore (vocals, saxophones) and longtime collaborator Christopher Dowd (keyboards, trombone, vocals). The current lineup also features James Jones (bass), Hassan Hurd (drums), John “JS” Williams II (trumpet, vocals), and the return of former Fishbone guitarist Tracey Spacey T Singleton. This evolution signals not just continuation, but a reinvigoration of Fishbone’s legacy.   Fishbone has always thrived on resilience, adaptability, and reinvention. The band has weathered decades of industry shifts, internal struggles, and lineup changes, yet their mission remains the same: to push boundaries, challenge injustice, and music and art in a way that only Fishbone can. Their journey has been documented in Everyday Sunshine: The Story of Fishbone (released in 2010), capturing their highs and lows, from pioneering the fusion of styles to facing industry struggles and personal setbacks.   The road to Stockholm Syndrome has been long, but Fishbone is surging forward with a renewed sense of purpose. Having recently shared stages with Madness, Tool, and Primus, as well as headlining successful winter tours in both the USA and Europe, and summer headline shows in the USA as well as Less Than Jake’s Summer Circus Tour Long Beach and D.C. stops of Vans Warped Tour 2025.   Fishbone’s legacy isn’t just about their past—it’s about their future. With Stockholm Syndrome, they reclaim their place as musical revolutionaries and genre disrupters, proving that their message and music are as vital as ever. The band is moving forward, ready to reconnect with old fans and inspire a new generation, all while continuing to live their truth and write their story with dignity and defiance.   Website | Instagram | Facebook | YouTube | Spotify

Easy Honey

Easy Honey is a Charleston, SC based indie rock band that infuses its singer-songwriter folk roots with an original mix of nostalgic East Coast surf-rock.   Originating at The University of The South: Sewanee over a cooler filled with freshman year college punch, the dynamic of this group is one of their strongest elements, existing with an electricity and a true sense of comradery both on and off stage.   The tremendous creative power between the band’s members Selby Austin (vocals, guitar), Darby McGlone (vocals, guitar), Charlie Holt (drums, vocals) and Webster Austin (bass, vocals) is on full display in their versatile new EP, Plaid (out April 30 via Third Brother Records), which they wrote and recorded over a three-day session at an isolated cabin in snowy Marble, Colorado.   Mixed with a steady sheen by the legendary Tony Hoffer (Beck, Phoenix, The Kooks, Air, M83), the rapid-fire five-song set deepens their beachy indie-pop style with vibrant new colors as they serve up witty melodies, catchy, relatable hooks and raucous yet sentimental lyrics about love, wistfulness and life’s big moments.   Easy Honey, like so many of their mutual rock heroes, cut their teeth on the road and have built a devoted following of daydreamers and night seekers through extensive touring and sold-out gigs. Just like their live shows, which have taken them to audiences nationwide, their influences remain all over the map and pull from the classic rock and power-pop staples of their parents’ record collections (Big Star, Neil Young), up through ’90s alt heroes Blind Melon as well as indie tunesmiths like Dr. Dog.   This winter, Easy Honey will support The Runarounds (from the hit Amazon Prime Series) ahead of their own headline tour and will appear as an official showcasing artist at SXSW. No matter if they’re harmonizing next to a beach bonfire or exploring the rhythmic twists of a funky riff on stage, their music inevitably pulls you closer with an open-armed, all-are-welcome spirit.   Website | Facebook | YouTube | Instagram | Spotify

Rachel Bochner

Rachel Bochner is a Brooklyn-based artist who has quickly become known for her infectious pop sound and whip-smart lyricism. Since her debut in 2020, she’s captivated listeners with her ability to blend vulnerability and grit, fearlessly exploring the complex sides of love, loss, and self-discovery. Her highly anticipated EP Lovergirl, released this fall via Handwritten Records, showcases her evolution as both a songwriter and performer, cementing her place as one of pop’s most exciting voices. With each release, Rachel continues to push boundaries, bringing both heart and edge to the world she’s creating.   Website | Instagram | YouTube | TikTok | Facebook

The Beths

“One of the greatest indie-rock bands of their time.” – Rolling Stone New Zealand indie rock heroes The Beths’ latest album Straight Line Was A Lie is a catchy, instant classic. Written in Los Angeles and self-recorded in the band’s hometown of Auckland, Straight Line Was A Lie (their first release for ANTI-) follows 2022’s critically celebrated LP Expert in A Dying Field. Lead singer and songwriter Liz Stokes delves deeper into her psyche to address everything from roundabout progress to physical and mental health challenges, and fraught family dynamics. Inspired by The Go-Go’s, Olivia Rodrigo, filmmaker Akira Kurosawa, and Stephen King’s On Writing, amongst others, Stokes’ songwriting has achieved startling new depths of insight and vulnerability. Fans will agree that Straight Line Was A Lie is the most sharply observant, truthful, and poetic Beths project to date.   Website | Instagram | Facebook | Spotify | YouTube | Soundcloud | TikTok

Delicate Steve

Take a visit to Luke’s Garage, Delicate Steve’s latest album, and you’ll discover a place where sparks of creativity fly in all directions, where melodies splatter the walls like brightly hued paint, where no idea is too simple, too ingenuous, too full of childlike wonder. The L.A.-via-Jersey guitarist born Steve Marion, whose credits include session work for Amen Dunes, Paul Simon, and Deradoorian, had no grand plan for making it: he would simply book some time at a friend’s studio, hunker down, and play. He’s always allowed intuition to guide him, composing his jubilantly tuneful instrumentals as he records them, but this time, he felt freer than ever to “keep the seams showing, and don’t polish everything, and keep it raw, and alive, and electric-feeling,” he says. He chose the title, Luke’s Garage, as a tribute to his pal and sometime collaborator Luke Temple, but also for the anything-goes adolescent innocence it conjured: the feeling of heading over to a buddy’s house, turning up the amps, and creating your own world. In the world of Luke’s Garage, a passage of music that feels like a sketch in progress might open into a hook so finely wrought, so obviously right, that you have a hard time believing you haven’t heard it before. The two passages may in fact be one and the same. There are songs that feel destined to soundtrack memories of windows-down road trips, and those more suited to moments of hushed intimacy. A shadowy synth-pop excursion (“Light of the World”) veers into a candlelit soul ballad (“Shall Be Free”); a chugging garage-rocker (the title track, naturally) sets up an unexpected detour into slinky disco (“There Goes My Baby”). Delicate Steve’s unmistakable sensibility, his tone airy yet tactile, his lines full of poignant bends and whimsical asides, is a benevolent guide through the ever-shifting landscape, keeping a steady hand on the wheel no matter the surroundings. He has little interest in showing off, focusing instead on clarity, simplicity, and directness—more like an openhearted pop songwriter than a look-what-I-can-do shredder. Marion played every instrument on Luke’s Garage himself—guitars, drums, keys, bass—which heightens its homespun charm. The album’s sense of music as a colorful playground for exploration may remind you of Paul McCartney’s early solo work, made at a time when he was shrugging off the weight of expectation and digging into his own idiosyncrasy, tinkering alone until he found a sound that made him feel and trusting it would do the same for others. As with the McCartney, this record’s air of easy spontaneity belies serious craftsmanship and care: the exuberantly arcing melody of “We’ll Be Friends” and the quietly hopeful one of “Die With It” didn’t just come out of thin air, no matter how natural or even preordained they may seem. To hear Marion tell it, the audible joy in his music isn’t some affect he’s choosing to put on, but an honest expression of his own delight and relief when he finally finds the right note, the right rhythm. The prevailing mood of Luke’s Garage is one of discovery, because you’re hearing Marion discover the music himself.   Website | Facebook | Instagram

Diggy Graves – The No Vacancy Tour

Raised in the PNW, Diggy Graves likes to describe his music as a melting pot of genres that ranges from Rap to Horror Core. Diggy has been making music for most of his life and decided to create his persona behind the mask in 2020. You might know him from his most popular songs Red Vineyard and Circus Psycho. You can usually find him hidden in the woods making music in his cabin but in his free-time he enjoys long walks on the beach, hanging out with his son and digging graves. He always looks forward to performing live and seeing all his loyal fans.   Website | YouTube | Spotify | TikTok | Instagram | Facebook

Foxtide

Made up by Elijah Gibbins-Croft, Oey James, and Ian Robles, Foxtide is a byproduct of being bred by the beach and raised by a DIY house show scene. The SoCal three-piece was formed around garage jam sessions and earned their cult following through the intense vitality of their live shows. First starting to release music in 2019, it was the band’s second EP Visons in 2021 that took them from a hometown secret to a band to watch nationally. Foxtide has previously played alongside The Backseat Lovers, Echo & The Bunnymen, Lime Cordiale, Sarah and the Sundays, Mustard Service, Beach Goons, and joined the lineup of Shabang, Nothing Fest, and more. Moving into the chapter of their next project, Foxtide is abandoning the idea that they need to create “perfect” music, and simply making what they like to listen to. Tinged with the aloofness of early 2000s rock, while experimenting with the formulas of modern pop, all threads are knotted in the authenticity behind Foxtide’s unrelenting love for music. The band’s third EP Paradise helped them secure critical looks from Fashionably Early’s “Bands that Deserve to be Bigger,” Luna Collective Magazine, and their debut LA headline show selling out. Their most recent record earned them the cover of Fashionably Early’s playlist as well as their first editorial look from Spotify in All New Rock, and Apple’s New In Rock and New In Alternative. On the heels of the deluxe version, the band secured support tours with Arcy Drive, Pity Party Girls Club, and more to be announced. Foxtide has most recently signed a record deal with Position Music, and is gearing up for their second full-length LP.   Instagram | TikTok | YouTube | Facebook | Spotify

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