Duster
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David Cross
Ages 18 and up.Emmy Award winner and two-time Grammy Award nominee, David Cross is an inventive performer, writer, and producer on stage and screen.David’s eighth stand-up special, David Cross: Worst Daddy In The World, is available on the 800 Pound Gorilla Media YouTube channel, and he will join the cast of the Netflix series, The Umbrella Academy, for their fourth and final season premiering August 8.David hosts the new podcast, Senses Working Overtime With David Cross, which premiered on December 7, 2023 with new episodes released on Thursdays available on all audio platforms and video available on David’s YouTube page.In 2023, David was seen in the Julia Louis-Dreyfus film, You Hurt My Feelings, and the FX series, Justified: City Primeval. In 2021, Cross starred in the National Geographic series, Genius: Aretha, portraying famed music producer, Jerry Wexler opposite Cynthia Erivo as Aretha Franklin; he made guest appearances in the, critically-acclaimed HBO Max miniseries, Station Eleven; and starred in the HBO Max film, 8-Bit Christmas.On February 12, 2022, David premiered his comedy special, David Cross: I’m From The Future, as a livestream event available internationally on his website. David’s 2019 comedy special, David Cross: Oh Come On, is available on Amazon Prime and Peacock.David was nominated for two Grammy Awards for the albums, …America…Great, and Shut Up You F***ing Baby, and his comedy special, David Cross: The Pride is Back, was named one of the 25 best stand-up comedy specials and concert films of all time by Rolling Stone in July 2015.Other groundbreaking TV credits include Arrested Development, Goliath, The Increasingly Poor Decisions of Todd Margaret, Mr. Show with Bob and David, Freak Show, and The Ben Stiller Show.In 2020, David received rave reviews for his starring role in the dramatic film, The Dark Divide, and in 2018, he was part of the ensemble cast with Tom Hanks and Meryl Streep in Steven Spielberg’s The Post. David released the indie film Hits, which he wrote and directed, and he has appeared in numerous films including Kill Your Darlings, It’s a Disaster, Abel, Year One, Waiting for Guffman, Men in Black and Men in Black II, Ghost World, Eternal Sunshine of the Spotless Mind, Pitch Perfect 2, I’m Not There, and he provided his vocal talents for several animated films, including Megamind, the Kung Fu Panda franchise and Curious George.CHARITY FEE: The $2.00 charity fee will go to the Check My Ads (https://checkmyads.org/about/). Check My Ads works to build a safer, more permanent future for democracy. Their team works closely with consumers, brands, and regulators to defend your freedom from the industry’s most shameful, irresponsible advertising practices.Phone-Free Event: This event will be a phone-free experience. Use of cellphones, smart watches, smart accessories, cameras or recording devices will not be permitted in the performance space. Anyone seen using a cellphone or recording device during the performance will be immediately escorted out of the venue. We appreciate your cooperation in creating a phone-free viewing experience (please note: this is NOT a Yondr event.)Copyright Notice/Disclaimer: Artist copyright disclaimer to be listed on the event / ticketing page(s) as well: David Cross owns all rights in the content and materials, including any jokes and sketches (the “Materials”), delivered during his performance. The Materials may not be copied, translated, transmitted, displayed, distributed, or reproduced verbatim (the “Use”), in whole or in part, in any form, media, or technology now known or later developed, without the express prior written consent of David Cross. Any Use of the Materials without the express prior written consent of David Cross is strictly prohibited and shall be subject to all available legal remedies, whether in equity or at law at the cost of anyone who violates this prohibition.
Landon Conrath
Minneapolis songwriter, producer, and multi-instrumentalist Landon Conrath found his voice almost by accident. A drummer by trade, Conrath spent his formative years keeping the beat in bands rather than fronting them. It wasn’t until he opened up to a friend at a pool party with a new composition, he was encouraged to hone in his sound. Conrath immersed himself in the recording process with reckless abandon. Since making his debut in 2020, his distinctive brand of hook-laden indie-pop has become a viral sensation on Spotify landing on influential playlists virtually overnight. Landon’s authentic, off-the-cuff style has resonated with listeners around the world, amassing millions of streams.Website | Instagram | Facebook | Spotify | YouTube
Richy Mitch & The Coal Miners – The October Moon Tour
Richy Mitch & The Coal Miners are a folk-rock group based in Bozeman, MT consisting of longtime friends Mitch Cutts, Nic Haughn, and Jakob Ervin. The trio started RMCM as high schoolers back in 2017, and since then they’ve used RMCM as a platform to independently release music and create art.Website | Instagram | Twitter | Spotify
The Sandwich Shoppe Showcase
Featuring Qzaq, Scrape, Narsick, Totally Slow, Manic Third Planet, Orphan Riot, Pollute, Worthington’s Law
TOOTH
Bats & Mice are no longer playing due to illness.DUrham legends TOOTH will be playing and Treasure Pains have been added.
The Queen Bees
THE QUEEN BEES are three North Carolina-based multimedia artists: musician and journalist Molly McGinn on guitar and vocals; creative producer and musician Kate M. on violin, vocals and drum; and electronic music producer and anthropologist Quilla on keys, beats and vocals. The Queen Bees see their music as a way to serve and create community. They weave together traditional acoustic instruments with modern electronic components, creating an original blend of music that uplifts audiences and dances to the rhythm of social change. Their music emphasizes a strong beat, meticulous stringed arrangements, delightful vocal harmonies and bright rhythm guitar. They use the folk tradition of storytelling to bring people together, and shed light on current issues. While pop, Americana and disco are influences in their music, each of their carefully crafted songs is unique and explores topics that are off the beaten path. From navigating climate change, to exploring the history of North Carolina, to supporting drag queens, songs by The Queen Bees are memorable and distinctive. Their collaboration goes beyond the traditional construct of a band because they also create visual stories and cultural experiences for diverse audiences. While their work together dates back to collaborative projects as early as 2016, their first official performance as The Queen Bees was at The North Carolina Folk Festival in 2023. The trio has since gone on to perform at numerous festivals and benefit shows across the state, opened for The Piedmont Wind Symphony and appeared on The Martha Bassett Show. All three Bees are songwriters, arrangers and co-producers of their musical releases. Their first EP, Live at the Flat Iron, was recorded at Triad City Beat’s 10th Anniversary Celebration at The Flat Iron in Greensboro, and was released by Ritual Fire Records in early May, 2024. It is now available on all streaming platforms. Their forthcoming studio album All Ye Outs will be out in the fall of 2024. YouTube | Instagram
SPRINTS
“This is an exploration of pain, passion and perseverance.” The dedication for Sprints’ debut album serves as a neat summation of their story so far. Transforming pain into truth, passion into purpose and perseverance into strength, the Dublin four-piece have steadily grown in stature over the last three years, sharing two acclaimed EPs and building a fearsome live reputation opening for the likes of Yard Act and Suede. Letter To Self is the sound of Sprints co levelling up once again, revisiting their most vulnerable moments and imbuing their visceral garage-punk with a palpable sense of catharsis that we can all benefit from. Singer, guitarist and lead-songwriter Karla Chubb has never shied away from confronting inner turmoil. Born in Dublin, she spent a portion of her early childhood in Germany, initially turning to music as a consequence of feeling out-of-step with the world. “I lived in a constant state of existential crisis,” she recalls. “Music became an outlet for emotion, and a way for me to understand myself and society.” The foundations for Sprints were laid when Karla met guitarist Colm O’Reilly and drummer Jack Callan — childhood friends who’d been playing music together since the age of 10. Recruiting bassist Sam McCann to complete the line-up, the quartet found their sound after seeing Savages play Electric Picnic in 2016. “Seeing the energy of Jehnny Beth and those gnarly guitars totally captivated us,” Jack explains. Karla continues, “I’ve always loved anger-fuelled music but I had fallen into the trap of writing what felt least offensive, simply because I saw anger as a negative emotion, rather than something that can be therapeutic and cathartic. [After watching Savages] I decided I don’t really care how I’m interpreted — I’m just going to write exactly what I feel.” No longer second-guessing their sound, by 2019 the band were naturally gravitating towards abrasive punk-rock, synthesising influences ranging from early Pixies, Bauhaus and Siouxsie Sioux to King Gizzard, IDLES and LCD Soundsystem. “It was about being honest and energetic, and making people a little uncomfortable at the same time, whether that was musically or thematically,” says Karla, smiling. “Like: sadness or anger, but make it danceable.” Principled and plain-spoken, Karla has always used her platform to address inequality. Debut single ‘The Cheek’ skewered the misogynistic fetishisation she’s experienced as a bi-sexual, while the title track of their 2021 EP Manifesto was inspired by the campaign for Repeal The 8th, and women’s ongoing fight for bodily autonomy. A statement of intent, that four-track collection was their first collaboration with Daniel Fox of Gilla Band. In 2022, they shared their second, in the shape of A Modern Job. Praised by NME as “darkly defiant,” the EP saw Karla occupying what she describes as “a more self-conscious space,” laying bare her insecurities and detailing the ongoing mental health journeys within the band. For Letter To Self, the band dug even deeper, transforming so-called “negative energy” into an opportunity for communal catharsis and healing. Recorded in 12 days with Daniel Fox at Black Box Studios, in the Loire Valley, Karla describes the process as “an amazingly positive experience.” Website | Instagram | Twitter | Facebook | Spotify | YouTube | Soundcloud | TikTok
Christian James, Dylan Innes & The Business, Cuffing Season
Mei Semones and Mia Joy
Mei Semones’ sweetly evocative blend of jazz, bossa nova and math-y indie rock is not only a way for her to find solace in her favorite genres, but is an intuitive means of catharsis. “Blending everything that I like together and trying to make something new — that’s what feels most natural to me,” says the 23-year-old Brooklyn-based singer-songwriter and guitarist. “It’s what feels most true to who I am as an artist.” On her newest EP and Bayonet Records debut Kabutomushi, Mei’s diverse sonic palette adds depth to her experiences of the complexities of love. Through the EP’s five songs, she chronicles infatuation, devotion, vulnerability, and saying goodbye in some of her closest relationships, complete with sweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English and Japanese.Originally from Ann Arbor, Michigan, Semones began playing music at a young age, starting out on piano at age four before moving to electric guitar at age eleven. After playing jazz guitar in high school, she went on to study guitar performance with a jazz focus at Berklee College of Music. College is where she met her current bandmates, including string players Noah Leong and Claudius Agrippa, whose respective viola and violin add softness and multidimensionality to Mei’s intricate guitar work. After releasing a slew of singles and an EP in 2022, coinciding with her move to New York City, Mei and her band have since gone on to collaborate with post-bossa balladeer John Roseboro and embark on their first-ever tour with the melodic rock outfit Raavi.Though Mei’s music has always been a distinct combination of her gently saccharine voice with dynamic musical arrangements, Kabutomushi shows her delving into aspects of her musicianship that she’s never explored previously. Plinking guitar tones and asymmetrical time signatures exemplify her forays into angular indie rock more now than ever before, most evident on the single “Wakare No Kotoba,” its wide-interval arpeggios in odd meters being some of the most technically difficult guitar work Mei has ever implemented in her songwriting. Translated to “parting words” in English, the self-described “anti-love song” serves as a farewell to a toxic friendship, complete with orchestral swells and crashing guitars. In the same sonic vein is “Inaka” (“countryside”), which details Mei’s daydreams of moving somewhere more pastoral during a period of exhaustion resulting from the hustle and bustle of newfound city life. Here she directly addresses her beloved with words of loyalty and adoration in wanting to build an idyllic life somewhere new together, while cinematic strings add romantic flares aside Mei’s leading guitar.Website | Instagram | Facebook | Spotify | YouTube | TikTok ‘Celestial Mirror,’ the new EP by Mia Joy, sees the Chicago-based musician move from one stage to the next, as she delves further into her explorations on identity, self expression, and the people who come in and out of her life. The first new music since 2021’s dreampop masterclass ‘Spirit Tamer,’ which saw her tour alongside the likes of Sharon Van Etten, Squirrel Flower, Deeper and more, the EP showcases more of Joy’s trademark ethereal indie pop that envelops the listener in a shroud of gentle, personal hymns that are both intimate & warmly inviting.Bandcamp | Instagram | Facebook
