Leigh Nash & Jeremy Lister
“The world knows Leigh Nash best as the delightful pixie-esque voice atop massive global hits such as “Kiss Me” and “There She Goes” with Sixpence None The Richer, but she’s worked tirelessly to define her perspective though her songwriting output, showcased on her latest project, “The Tide, Vol. 1,” a six-song collection of duets recorded with people Leigh considers personal superheroes.“What I’ve found to be true with my songwriting is that I seem to serve a story or song better when it’s something that just happened naturally with me, like an encounter or conversation,” she says. “I tried it back with Sixpence, but I’m just now starting to feel a little bit more at home in those songwriter shoes.”Combine those choices of subject matter — honesty with partners in times of strife, recognizing others’ perspectives in periods of trouble, identifying blessings in the everyday — with duet partners featuring voices both iconic and close to home, and The Tide reveals an artist at the peak of her powers.”Website | TikTok | Instagram | Twitter | Facebook | YouTube Nashville’s Jeremy Lister started connecting with music while growing up in the middle of Mississippi. A son of a preacher, he began singing and learning harmonies in church at the age of two. Lister moved to Nashville in 2003, bringing his first EP, Shooting Star, with him. In 2005, he released his second EP, So Far, followed by the release of his Just One Day EP on Warner Bros. Records. That same year, he was invited to join the Ten Out of Tenn collective of singer/songwriters, which included then up-and-coming artists such as Andrew Belle, K.S. Rhoads, and Gabe Dixon.In 2010, he joined a cappella group Street Corner Symphony for the second season of NBC’s “The Sing-Off.” The group became a fan favorite, eventually claiming the second-place title in the competition. Ben Folds invited them out on the road immediately following their success on the show, which launched their touring career. Street Corner Symphony performs dozens of headlining shows all over the world each year.Lister released his first solo full-length album, The Bed You Made, in 2011, which featured a duet with Alison Krauss on the song You and I. In 2013, he released the single Set Us Free, which became the theme song for the MTV series “The World Of Jenks.” In 2017, he and his brothers, together under the name Lister Brothers, co-wrote and released the album Helium Ocean.In the 16+ years since he moved to Nashville, Lister has become a Music City staple, known for his prolific songwriting and unequaled vocal range. He has worked with some of Nashville’s biggest names, from Alison Krauss to Amy Grant, Meghan Trainor, and Chely Wright.Since signing with Big Yellow Dog in 2019, Lister has had songs placed with T-Mobile, Dignity Health, the Netflix movie 2 Hearts, the promo for the season finale of Modern Family, and more, and has released four EPs: “Sign Language” – 2019, “Cool Cool” (side project with Bergie) – 2020, “Forest for the Trees” – 2020, and “Happy Holidays, Everyone” EP – 2020. His most recent release is the full-length LP version of “Happy Holidays, Everyone,” featuring ten original holiday jazz songs.Website | Instagram | Facebook
Dyke Night
CALLING ALL DYKESWelcome to the return of Dyke Night, a queer performance experience presented by the one and only Lady Dyke and the queen of Chapel Hill herself Nyx Adonis.Featuring drag from the delectable Danny Libido and delicious Daydream, original music from the gorgeous AGA the Goddess, and a special guest appearance from the legendary Poison Venemisis.Bring your friends, your nail polish remover, and strap yourself in for the party of the summer.
Nick Shoulders and The Okay Crawdad
All Bad, the latest album from Nick Shoulders, ultimately encapsulates everything that makes Shoulders’ inimitable form of country music so vital: a heady balance of dazzling musicianship and punk defiance, coupled with gritty eccentricity and a generational connection to the roots of the genre. With a singing style inherited from his family’s vocal lineage, Nick’s songs achieve the rare feat of imparting difficult truths while inciting a certain joyful abandon, balancing a sound forged by years of hard travel with a heartfelt reverence for the origins of country music. In the spirit of Hazel Dickens and Jimmy Driftwood, the incisive yet wildly jubilant All Bad vocally objects to the reckless destruction of the natural landscape and development run rampant, while still offering plenty of joy and dance-ready rhythms. Spanning a variety of early country styles, the album’s infectious harmonies shine alongside everything from jangling cajun waltzes to surf-rock infused bluesy ballads–all tied together by a voice seemingly out of place in this century, yet ever ready to speak up about its problems.Released via Gar Hole Records (a label founded and co-owned by Shoulders), All Bad marks the first LP made with his longtime band, the Okay Crawdad, since 2019’s premier full-length Okay, Crawdad and their subsequent pandemic-imposed hiatus. After writing most of the album from the front seat of a tour van, the Fayetteville, AR-based musician and bandmates Grant D’Aubin (harmonies/bass), Cheech Moosekian (drums) and Jack Studer (lead guitar) recorded the album in a home studio on the banks of the Mississippi River with New Orleans collaborators Ross Farbe and Sam Doores.Surrounded by a singing style passed down from a time before microphones, Nick’s childhood of bird call whistles and an over-exposure to southern gospel music eventually steered him toward an adolescence drumming for metal and punk bands, and subsequent years as an active illustrator and member of Arkansas’s heavy music scene. After numerous personal calamities and a growing obsession with the rural musical traditions of his lifelong home, Shoulders left the Ozarks and lived out of his van, singing on the street corners of the west while slowly being drawn to the vibrance of the New Orleans dance and busking world.Instagram | Website | Facebook | Twitter | YouTube | Spotify
Michael Minelli
When Michael Minelli sings, you know it’s him. With show-stopping delivery, dynamic range, and timeless panache, the Connecticut born & raised singer/songwriter immediately sets himself apart. It’s no surprise he’s earned the praise of everyone from Ryan Seacrest to BuzzFeed.For Minelli, it’s all a matter of soul. “Soul is the core of everything,” he affirms. “It’s that thing you can’t put your finger on. Anytime somebody hears my music, I want them to immediately say, ‘That’s a Michael Minelli record’.”With over a decade of experience as an artist, Minelli seems to finally have hit his stride gaining over 20 million views, hundreds of thousands of followers & a 300% increase in streams all during the first month of being active on tiktok singing his song in public all over the country.Michael set the foundation in 2022 with major labels calling, huge sponsorships, and a 30 city, nationwide tour with fellow artist, Anees. With 2023 on the horizon, Michael is set for his long awaited explosion. One thing is for sure. When the time comes, he’ll be ready
Beth Orton
English singer/songwriter Beth Orton’s latest album Weather Alive was one of the most critically acclaimed records of 2022, landing on year-end ‘Best of 2022’ lists from NPR, Pitchfork, and The New York Times—the latter of which praised Orton for her “modal vocal phrases and marveling [stories].” Pitchfork also named the title track a Best New Track, calling it “a slow-burning tour de force,” while The Late Late Show with James Corden invited Orton and her band to perform album highlight “Fractals.” Orton self-produced Weather Alive, laying the foundations of the album on an upright piano that she installed in her garden shed at home in London. When the time was right, Orton invited an incredible group of collaborators to join her across the album’s eight tracks, including jazz poet Alabaster DePlume, The Smile drummer Tom Skinner, multi-instrumentalist Shahzad Ismaily and Mercury Prize nominated bassist Tom Herbert of The Invisible. The musicians locked naturally into Orton’s sensibilities, expanding the emotive and dream-like world she’d created and conjuring a deeply meditative atmosphere that remains long after the final note has evaporated.Orton has long been regarded as possessing one of the most unique and expressive voices in music – a voice that has grown evermore rich and wise over time. Her 1996 debut, Trailer Park, pioneered a synthesis of electronic and acoustic sounds, while its 1999 follow-up, Central Reservation, garnered international success. Further albums like the Jim O’Rourke-produced Comfort of Strangers and 2016’s largely electronic Kidsticks co-produced by Orton deepened the breadth of her craft. A turbulent life that progressed with long periods of ill health slowed her down and made for experience that she was only able to process through music. She began to spend more time making music at the piano than on guitar and the songs she wrote turned into the eight-track Weather Alive, the first album she’s ever self-produced in her nearly 30-year career.“Music has always worked as a way of seeing,” she says. “I found myself writing until the words lost sense, which is really scary in the real world but really interesting when you’re making music. It gives all meaning new meaning. One of the most exciting elements of writing songs is how they reveal their truth as the process develops.” Indeed, the first notes of the album-opening title track usher the listener into an expansive, emotive and dream-like world of sound with little precedence in Orton’s prior work. The artist challenged herself to create music accordingly. Talk Talk’s Spirit of Eden or Alice Coltrane come to mind at times throughout the record.“I had brought myself a cheap old piano but it had a resonance that really spoke to me, almost an emotional resonance. I could explore in a way I wasn’t able to on guitar — I was able to find a depth, a voice I’d never trusted before. I worked with the atmosphere the piano created as an instrument in and of itself.” On producing she enthused “It wasn’t about proving myself to myself. That would be reductive, but in the end I did find capabilities I wasn’t aware I held. This was a collaboration between my unconscious self and some wonderful musicians and the piano was the constant anchor.”Website | Facebook | Instagram | Twitter | YouTube
We Are Scientists
We Are Scientists is an American rock band started in California in 2000 who’ve carried out their last 20 years of art business from a base in New York City. Founding members Keith Murray (guitar) and Chris Cain (bass) have played with guys like Adam, Michael, Andy, Danny, Chris, Matt, and Gary on drums, but for over five years now have had Keith Carne, who looks like he isn’t going anywhere. Their first album, “With Love & Squalor,” was certified gold in the U.K. and enjoyed by dance rock fans in many other countries. Subsequent records like “Brain Thrust Mastery,” “TV en Français,” and “Megaplex” saw the incorporation of more synthesizers, strings, and a horn. Although 2021’s “Huffy” returned to a guitar-driven sound, “Lobes,” the band’s eighth studio album, is their synthiest, electronic beatiest collection yet. So, really, who even is We Are Scientists? The release of “Lobes” on January 20, 2023 was celebrated with a very special hometown show at Brooklyn Made, followed by touring in the U.K. and Europe. The band is currently on a run of European shows and festivals this summer. Additional U.S. dates follow in the fall.
Houndmouth: One Night, Two Night, Three Night Tour
Three Night Pass tickets still available here!Thursday / Friday Two Night Pass tickets still available here!Houndmouth is an American alternative rock band from New Albany, Indiana formed in 2011, consisting of Matt Myers (guitar, vocals), Shane Cody (drums, vocals), and Caleb Hickman (keyboard, vocals). Nostalgic sounds from their first album seemed to serve as a welcome escape for listeners from the relentless demands of the digital age. This led to performances on Letterman, Conan, World Cafe, and several major festivals (ACL, Americana Music Festival, Bonnaroo, Lollapalooza, and Newport Folk Festival). SPIN and Esquire.com named Houndmouth a “must-see” band at Lollapalooza, and Garden & Gun said, “You’d be hard pressed to find a more effortless, well-crafted mix of roots and rock this year than the debut album from this Louisville quartet.” Through their humble start, genre-defining hits, and experimentation, Houndmouth makes an impact with their unique take on storytelling through music.
Houndmouth: One Night, Two Night, Three Night Tour
Friday / Saturday Two Night Pass tickets still available here!Houndmouth is an American alternative rock band from New Albany, Indiana formed in 2011, consisting of Matt Myers (guitar, vocals), Shane Cody (drums, vocals), and Caleb Hickman (keyboard, vocals). Nostalgic sounds from their first album seemed to serve as a welcome escape for listeners from the relentless demands of the digital age. This led to performances on Letterman, Conan, World Cafe, and several major festivals (ACL, Americana Music Festival, Bonnaroo, Lollapalooza, and Newport Folk Festival). SPIN and Esquire.com named Houndmouth a “must-see” band at Lollapalooza, and Garden & Gun said, “You’d be hard pressed to find a more effortless, well-crafted mix of roots and rock this year than the debut album from this Louisville quartet.” Through their humble start, genre-defining hits, and experimentation, Houndmouth makes an impact with their unique take on storytelling through music.
Houndmouth: One Night, Two Night, Three Night Tour
Friday / Saturday Two Night Pass tickets still available here!Houndmouth is an American alternative rock band from New Albany, Indiana formed in 2011, consisting of Matt Myers (guitar, vocals), Shane Cody (drums, vocals), and Caleb Hickman (keyboard, vocals). Nostalgic sounds from their first album seemed to serve as a welcome escape for listeners from the relentless demands of the digital age.This led to performances on Letterman, Conan, World Cafe, and several major festivals (ACL, Americana Music Festival, Bonnaroo, Lollapalooza, and Newport Folk Festival). SPIN and Esquire.com named Houndmouth a “must-see” band at Lollapalooza, and Garden & Gun said, “You’d be hard pressed to find a more effortless, well-crafted mix of roots and rock this year than the debut album from this Louisville quartet.” Through their humble start, genre-defining hits, and experimentation, Houndmouth makes an impact with their unique take on storytelling through music.
Barns Courtney
Frenetic, electrifying, and viciously creative, Barns Courtney possesses an unbridled passion that’s increasingly rare in the modern music landscape. On his forthcoming third album, “Supernatural,” the UK-born, Seattle-bred singer/songwriter offers up a body of work informed by his far-ranging obsessions (the writings of Oscar Wilde, ritualistic iconography and ancient mythology, The Rocky Horror Picture Show, to name a few), all crystallized in an elaborate narrative centered around a post-apocalyptic cult leader. Expanding on the extraordinary dynamism that prompted Rolling Stone to praise him as a “stomping, swaggering rock & roll balancing act teetering between blinding light and total darkness,” the album ultimately marks the start of Courtney’s most captivating era yet. Barns has already received critical acclaim with multiple Gold singles in the US and UK including “Glitter and Gold” and “Fire” Gold Certified, as well as hitting Top 5 Alternative Radio with “99.” Performances on Conan, The Late Late Show with James Corden and video game syncs including Apex Legends, FIFA 17 and more, have all helped propel Barns to the forefront of the rock world. Boasting over one billion global streams to date, Barns Courtney is soon to be “out with the old” and eager to return with even more accolades. Made with producers like six-time Grammy Award-winner David Greenbaum (Beck, Gorillaz, Cage the Elephant), Courtney’s latest effort emerged in a series of free-flowing sessions at legendary studios like Sunset Sound, Henson Recording Studios, and United Recording, ultimately being completed by Barns and Martin Eden at the Libertines Studio “The Albion Rooms.” “I’ve never had more fun in the studio than we did at United,” he notes. “We erected a tiki bar in the hallway and there was a revolving door of musicians and drifters coming in and out, plus an immense amount of mushroom chocolates. It’s not rock & roll if you don’t enjoy a bit of frivolity.” While each song spotlights the commanding vocal presence he’s brought to past hits like “Fire” (a Top 5 Triple A radio smash) and shown onstage at such illustrious gigs such as opening for The Libertines, Ed Sheeran, My Chemical Romance, The Who, and more, the album unfolds in a high-wattage sound ranging from glam to punk to gloriously scrappy garage-rock. And as Courtney reveals, creating such an ambitious project helped to undo the disillusionment that followed a prolonged period of relentless touring. “After five years of doing what I absolutely love, I felt extremely tired and burnt-out,” Courtney recalls. “Making this album allowed me to corral the things I care about, like climate change and our dying planet, and explore them in a way that felt just as invigorating as when I started my first band 15 years ago.” Website | Instagram | Twitter | Facebook | Spotify | YouTube
