Chatham County Line Holiday Tour 2025
Launched a little more than twenty years ago in Raleigh, North Carolina, Chatham County Line built a devoted local following on the strength of their genre-bending live show—an intoxicating blend of bluegrass, folk, country, and rock and roll—before breaking out internationally with their 2003 self-titled debut. In the years to come, the band would go on to release eight more critically acclaimed studio albums, top the Billboard Bluegrass Chart four times, collaborate with the likes of Judy Collins, Sharon Van Etten, and Norwegian star Jonas Fjeld, earn two gold records in Norway (where they were also twice nominated for the Spellemannprisen, Norway’s equivalent of a Grammy), and share bills with everyone from Guy Clark and Lyle Lovett to Steve Martin & Martin Short and The Avett Brothers. NPR hailed the group as “a bridge between bluegrass traditions and a fresh interpretation of those influences,” while Uncut lauded their “powerful melodies and gorgeous harmonies,” and Pitchfork dubbed their music “timeless.” The band’s latest release, Hiyo, marks the band’s first release since the departure of their longtime banjo player and serves as something of a reintroduction to the roots stalwarts, complete with new sounds, new collaborators, and a whole new lease on life. Recorded at Asheville’s Echo Mountain studio with co-producer/engineer Rachael Moore (Kacey Musgraves, Robert Plant and Alison Krauss), the collection finds the trio—Dave Wilson (lead singer/guitarist), John Teer (fiddle/mandolin) and Greg Readling (bass/pedal steel), embracing change at every turn, experimenting with fresh sonic palettes and innovative approaches to their core instrumentation. The songwriting remains classic Chatham County Line here—rich, evocative tales of love and heartbreak, joy and sorrow, righteousness and revenge—but the settings have evolved to incorporate synthesizers, drum machines, and more electric guitar and percussion than ever before. Given the group’s string band roots and decades spent singing around a single microphone, the results are nothing short of revelatory, taking an enduring sound and injecting it with a thrilling new spirit of discovery and vitality. Website | Instagram | Facebook | YouTube
Idol Talk, Cold Choir, DJ VamPoison, DJ Valefor
Wyatt Easterling
This is a seated show. What folks are saying about Wyatt’s new release: From Where I Stand “Wyatt’s New Project From Where I Stand is a fine example of his world class singing and songwriting chops. He plays these songs with a lot of heart and soul. It’ s a great album, so check it out”- Paul Thorn “Another collection of thoughtfully crafted, honest songs from the heart of Wyatt Easterling”- Robby Hecht, Nashville ” An album of searing honesty and lithe beauty whose songs amplify the emotions and experiences of so many of us—reassessed relationships, self-reflection, and the ultimate search for hope. Its intentions are pure, as are those of Wyatt on this set of ten tunes of loss, resilience and devotion, with determination in the lyrics and buoyancy in the music.” – Alan Cackett , UK “Easterling’s vocal is heartfelt and intimate, the songs are thoughtful and compelling “- Americana UK Website | Facebook | Instagram | YouTube | Spotify
Magic City Hippies
We can all take solace in the simple pleasures awarded us through our senses. Imagine, the memorable clink of ice hitting a rocks glass, the scent of muddled limes and mint, the faint crackle as the tipple is poured, the effervescent fizz of soda about to broach the rim, the straw insertion and swirl, the first sip of vacation…Life would be miserable without these gifts, and life would most certainly suck without the perfect soundtrack to the first cocktail of some much needed time off. Pop the cork on some Magic City Hippies.MCH initially floated onto the scene as Robby Hunter Band, yet once their album titled Magic City Hippies dropped, it became clear they had accidentally found their identity through an album title. Renamed in 2015 as Magic City Hippies, the Miami boys tasked themselves with marrying the funk sweat of a mid- afternoon sail with the syncopated shoulder shimmy of a late night out. They quickly gathered steam and took to gracing stages across the planet, from packed night clubs, to sold out concert halls, to earning performances at Bonnaroo, Austin City Limits, and Lollapalooza, Magic City Hippies cater to those simply looking to escape with a welcoming, never-haughty, yet delightfully naughty, thwap.Their Hippie Castle EP (2015) was just the tip of the proverbial ice cube in a cocktail glass of hippie sass. It mixed pool-side melodies and three day weekend grooves with a soulful, upbeat, vacation-heavy inflection of what can only be described as their own brand of musically casual psych-pop. Modern Animal (2019) brought MCH beachside, adding even more sultry swank to an already damp pair of chinos. A few years later, Water Your Garden (2022) brought the world out of a socially isolated pandemic, with a brilliantly shimmering and joyous celebration of dancing on our own, yet now together.While the studio albums have each received both fan and critical acclaim, their engaging and unapologetically energetic live show takes even the most dance-stubborn attendee and persuades a sort of hypnotically voluntary participation. Seeing first timers become lifelong fans is a galdarn tradition when it comes to a live Magic City Hippies experience.Whether this sunshine funk is all up inside your alley, or even if pink neon signs flashing the words SENSUAL AUDIBLE MASSAGE just have you curious, Magic City Hippies deliver a rare blend of musical talent and touring tenacity, with an uniquely cool and pastel fashion sense offering up funky sweaty smiles aplenty.Website | Instagram | Facebook | Spotify | YouTube | Soundcloud
Margo Price – Wild At Heart Tour
Nearly a decade ago, Margo Price turned Nashville on its head with her breakthrough, beloved debut solo album, Midwest Farmer’s Daughter. Released in the throes of bro-country and before pop stars were crossing over into the genre left and right, it showcased an artist completely unafraid to double down not only on herself, but what she’d always loved: classic country songs written from the intellect and the gut, hell-bent on truth-telling and both timeless and urgent all at once. Respected by her peers, praised by critics and beloved by her fans, Price created a lane where independent-minded, insurgent country music can exist and thrive alongside the mainstream, and became an ardent fighter for her beliefs in a genre where the norm is to shut up and sing. A trailblazer and a champion for the craft, Price redefined what it meant to be a modern country artist. And now she’s back with an exquisite, truly timeless album that reconnects with her roots and pays tribute to the art of the country song, inspired in part by the legends whom she now calls colleagues and friends. Hard Headed Woman is both a look forward and a look back: a way to march forward while staying true to yourself when the path of less resistance is right there in front of us, and short cuts are around every corner. And a way to look back when we need to trim what is no longer working, and to stay connected with where we’re from. It is a promise and a manifesto, a love song to both a city and a genre, and a defiant cry for individuality. In creating Hard Headed Woman, Price brought all of her power as one of our most beloved and respected songwriters to craft a deep exploration of love and America in a time of unprecedented uncertainty. Featuring appearances from Tyler Childers, co-writes with Rodney Crowell and a Waylon Jennings song that his widow, Jessi Colter, urged her to sing, it is country music as only Price can make it: free of rules, cherishing tradition, hard headed to the core but with a delicate, beating heart. Since releasing Midwest Farmer’s Daughter, Price has barely slowed down. She’s made four records, played Saturday Night Live, been nominated for a Grammy, toured the world alongside artists like Chris Stapleton and Willie Nelson, released a lauded memoir (Maybe We’ll Make It, due on paperback September 2nd), became an in-demand producer and was appointed as the first female board member of Nelson’s Farm Aid. And she’s been fearless when it came to genre, venturing into psychedelic rock on her most recent, Jonathan Wilson-produced record, Strays. It would have been easiest to just stay that course, and keep running. But Price doesn’t follow success or comfort. She follows the art. It took a whole lot of hard work and honesty with herself and others to get there, but that’s never stopped Price before. “I made the decision that I had to rebuild everything from the ground up,” Price says. “There’s all this pressure to be pumping out content, and I felt the opposite in the way I wanted to approach this record and my life in general.” Website | Instagram | Facebook | Spotify | YouTube | TikTok
Jonah Kagen
A Savannah, GA native, Jonah Kagen is the embodiment of raw talent and relentless dedication. At just 25, Jonah has already made waves with over 386 million global streams, 2.5 million monthly listeners on Spotify, and two critically acclaimed EPs—The Roads and Black Dress, featuring hit “God Needs The Devil” which is presently Top 15 at Alternative radio and was chosen as one of Spotify’s Best Pop Songs of 2024. Jonah’s unique artistry extends beyond his deep, universally resonant songwriting. He is also a skilled guitarist and instrumentalist, having played many instruments since childhood. And to round out his self-sufficiency, he has taught himself how to produce every note, most recently in an Airstream that he transformed into his personal mobile studio. The Airstream isn’t just a fun adventure; it’s a reflection of Jonah’s spirit, drawing inspiration from both nature and legends before him like Townes Van Zandt, Jason Isbell, and Andy McKee. Whether touring on his sold-out solo dates or performing alongside the likes of Sam Barber and Chance Peña in the US and abroad, Jonah’s sound is a blend of personal experience and universal connection. Unsurprisingly, Jonah’s balance of grit and musicality make him a festival mainstay having performed at the historic Austin City Limits, AmericanaFest, Summerfest, and RedWestwith and will continue this summer with stops at RiverBeat, Under The Big Sky, Calgary Stampede, Bourbon & Beyond, and more. With his electrifying energy, sincere songwriting, and genre-defying sound, Jonah Kagen is one to watch. Website | TikTok | Instagram | YouTube | Spotify
Sugar Snap Peas, Husbandos, Nicole Tester
Sugar Snap PeasSugar Snap Peas is a 6-piece fusion outfit based out of Raleigh, NC. Drawing on a set of influences spanning jazz to dreampop, the Peas’ sound is characterized by intricate grooves, colorful harmonies, and a lushness that fills the room. The Peas guide audiences between intimate ballads and high-energy arrangements over the course of their live sets. Propelled by musical curiosity informed by sophisticated tastes, they offer a sound unique in the Triangle music scene.Instagram HusbandosHusbandos is a cheeky Durham-based jazz fusion band that alternates between sultry R&B bedroom vibes to whacky compositions with odd time signatures and total disregard for orthodox theory.Website | Instagram Nicole TesterNicole Tester is a singer/songwriter based in Chapel Hill, North Carolina. Her eclectic indie folk sound pulls from the roots of the Appalachian mountains where she was raised, intertwined with modern indie folk/rock/pop influences. Balancing wit and humor with introspection and insight, she is sure to cover a vast expanse of emotional ground with her lyrics and expressive voice. Her songs serve as a way to tell stories, process experiences, and simultaneously attempt to find common ground to connect with others.Instagram | Facebook | Spotify | Bandcamp
Molly Grace
LIFEBEAT, a program of The Elizabeth Taylor AIDS Foundation, mobilizes the music and entertainment industry to provide the resources and support needed to take control of your sexual health and prevent HIV. On the ground at music tours, festivals, and special events, LIFEBEAT engages youth in discussions about HIV prevention, safe sex practices, and available support services regardless of status, gender, or sexuality. Through partnerships and community engagement, LIFEBEAT utilizes in-person outreach, broadcast, social media, and print campaigns to promote HIV/STI testing, prevention and treatment, and sexual health education. Nashville’s resident rising pop star Molly Grace has built a reputation on dazzling live shows packed with theatricality, full-throttle charisma, and powerhouse vocals. Channeling the queer joy of Chappell Roan, playful production of Remi Wolf, and irresistible magnetism of Prince, Molly is an artist who leans into the full spectrum of pop potential, creating music that’s all at once playful, polished, and packed with hooks. Whether commanding the stage at Bonnaroo —a set that earned her the accolade of Festival Highlight from The Nashville Scene — or headlining her ongoing But I’m A Pop Star! tour, inclusivity and optimism are front and center. Now, with her debut album Blush on the way, Molly is sharing her vision of pop music that’s both glamorous and deeply personal.Her work continues through a partnership with LIFEBEAT, a program of the Elizabeth Taylor AIDS Foundation that fights for social justice and human rights for those affected by HIV and AIDS. On the horizon, Molly will be opening for Betty Who, performing at Pride festivals nationwide and at All Things Go in September, cementing her status as the quintessential pop princess of our times — one who makes sure every single person in the crowd feels seen and emboldened. “I feel like my purpose is to make music that makes people feel good and confident and understood,” she says. “If you’re at a Molly Grace show, you’re going to feel better about yourself when it’s over.” Pop with a purpose, and glitter meeting grit — Molly Grace is delivering top-level artistry in every department. This show has been moved from Cat’s Cradle to Local 506. Website | Instagram | Facebook | YouTube | Spotify | Bandcamp
O.F., Kill the Buddha, Paint Work
The Moss
In a musical landscape with fewer boundaries than ever before, THE MOSS’s exuberant brand of alternative rock spans genres, eras, and even oceans. The Utah-via-Hawaii group was born on the shores of Oahu in 2015, as teenage buddies Tyke James (vocals/guitar) and Addison Sharp (guitar) picked up a gig serenading diners at local taco trucks in between surf sessions. Naturally, their songs took shape in the spirit of the island, imbued with the joyfulness and breeziness of reggae culture yet cut with the introspection and communal spirit of mainland indie acts like Pinegrove and Cage the Elephant. By 2018, the duo had grown, enlisting Willie Fowler on drums and Addison’s brother Brierton on bass, and traded in beaches for the Great Salt Lake. They hit the stage at spots like local cornerstone Kilby Court, live-testing their modern-indie-meets-’60s-blues with a wide-eyed exuberance that translated effortlessly into their 2019 self-released debut, Bryology. Colored by the sound of Stratocasters jamming through reverb-cranked Fender amps, all backed by bouncy rhythms, Bryology marked a big step for the still-young quartet – but, true to The Moss’s nature, was still hard-coded with a DIY ethos. “We basically had no budget,” James remembers fondly. “We bought some nice mics and an interface and I ended up learning how to mix while we were recording.” The follow-up, 2021’s Kentucky Derby, brought a more aspirational, blue-sky tilt to the foundation they’d laid on Bryology, expanding the group’s sonic arsenal while keeping the relatable lyrical style and sun-soaked sentiment at the forefront. “I’m really proud of how we’ve evolved as a band over time,” Addison Sharp says. “It feels like we’ve taken every different influence and mashed them all together to create something that feels really special.” “Bryology seemed like a collection of separate songs we put together to make an album, whereas Kentucky Derby is a similar thought and story coming together to collectively make a more cohesive album,” adds Brierton Sharp says, noting the album’s tracks are sneakily arranged in pairs of two that seamlessly flow into one another. “Each song could be listened to on its own, or you could listen to them all and get a broader sense of our intention.” No matter how listeners choose to interact with The Moss’s music, the band just hopes they feel something. It’s that kinetic relationship between band and audience that makes their live performances – including a pitch-perfect recent set for Audiotree – so compelling. “No matter what we do, we want to make sure the songs are fun to play live,” says Fowler. “We pride ourselves on being a band people want to see live.” “There’s something special that happens when you get an immediate reaction to a song,” says James. “Whether it’s during a live show or even just a songwriting session, if there’s a reaction from people in the room, you know you’re on the right track.” XX Website | Facebook | Instagram | YouTube | Spotify
