When Jeremie Albino was a teenager, he started busking around Toronto, setting up along the boardwalk or on a street corner downtown, wherever he thought he might find some passersby. “Usually nobody was listening,” he says, “but occasionally one or two people would tell me it sounded great. They had places to be and things to do, but they would stop and listen for a little while. That kind of interaction felt very special to me, and that’s when I realized I really do love performing. That’s when I realized I could hold a listener’s interest and give something back to them.”
That experience set Albino on his path, and it showed him how much joy can be found in the simple act of connecting with a listener, whether it’s an entire crowd or just one person in that crowd. Since then, he has refined a vital and idiosyncratic mix of styles and sounds that are rooted in tradition but grasping toward the future: His songs are grounded in the gritty storytelling of classic country music, propelled by the rhythms of old-school R&B, played with the wild abandon of early rock ’n’ roll, and sung with the deep feeling of southern soul. Thanks to his sweaty, livewire concerts, he has been steadily growing his audience from a few passersby to packed houses around Canada and the U.S. Our Time In The Sun, his soulful fourth solo album, sounds like the culmination of what he started out on the street corners of Toronto.
The title track showcases his remarkable range—emotionally, vocally, and stylistically. Anchored in a Stax rhythm section and punctuated with dramatic horns, it’s a dusty country-soul number about good love curdling into bad, but there’s none of the romantic recrimination that infects so many breakup songs. Rather, in his performance as much as in his lyrics, Albino conveys a warm generosity toward somebody who tried just as hard as he did to make it work. He’s the rare singer who’s always in the moment, taking nothing about the song or the melody or the lyrics for granted. And he brings the listener right into the moment with him. “I try to put my heart into everything,” he says. “There’s really no other way for me to do it. If I’m not putting everything into the song, then why would I even bother to sing it?”
As much as he loves performing and winning over listeners, Albino by his own admission has never felt that same connection to songwriting, but he made a breakthrough on Our Time in the Sun. Working with producer Dan Auerbach, he emerges as a sharp, observant songwriter who is quick with a clever turn of phrase and open to the emotional nuance of the stories he’s telling on “I Don’t Mind Waiting” and the raw “Struggling With The Bottle.” “I used to struggle with writing. Okay, I used to hate it. Whenever I needed to write new songs, I would just sit there for months toiling away.” When he signed with Auerbach’s Easy Eye Sound label, however, they spent hours and hours bouncing ideas off one another, their sessions becoming a masterclass on how to write a good, solid song.
