In an era of excess and endless distraction, the New York-based singer/songwriter Margaret Glaspy rejects the noise in favor of something far more essential. On the self-possessed title track for her new album I Am Both, Glaspy offers an ardent refusal of any outside pressure to compromise her multidimensionality. “I wrote ‘I Am Both’ a while ago; the story is based on a female character that I look up to deeply—a woman who contains multitudes while seeing reality very clearly,” says Glaspy. “It can feel safer to try to fit myself into a category, but I find that embracing my own complexity is much healthier for me.” That embrace of complexity runs throughout the album’s eleven tracks.
In the making of I Am Both, Glaspy stepped away from social media and soon discovered a clarity of mind she hadn’t experienced in years, followed by a sustained burst of creative momentum. As she penned her lyrics in longhand and then polished them up on a typewriter, Glaspy assembled a selection of songs that span from fictional vignettes to unguarded self-revelation to empathetic observation of the troubled world around her. Produced by Joe Henry (the three-time Grammy-winning singer/songwriter/producer known for his work with luminaries like Aimee Mann and Joan Baez), I Am Both ultimately stands as a striking new statement from one of the modern music canon’s most formidable songwriters.
“When I started writing for this record I had a goal of getting my practice back—to walk the walk in terms of how I envision myself as a songwriter,” says Glaspy, a Northern California-bred artist who made her debut with 2016’s lavishly acclaimed Emotions and Math. “At first it was really hard to break that addiction to social media, but after a while something shifted. It felt like I’d gotten back to original thought instead of being under the influence of so many outside opinions. It was life-changing.”
Her fourth full-length album, I Am Both, emerged from three days of sessions at New York City’s Reservoir Studios, where Glaspy recorded live with drummer/percussionist Jay Bellerose (Bonnie Raitt, Robert Plant, Alison Krauss), keyboardist Patrick Warren (Tracy Chapman, Tom Waits, Bruce Springsteen), and bassist Ross Gallagher (Paula Cole, Grails). “I always think of myself as more of a photographer than a sculptor in the studio—it’s about capturing the moment rather than layering and building things up over time, and Joe has a similar mentality when it comes to recording,” says Glaspy, who first connected with Henry at a T Bone Burnett-curated tribute to Bob Dylan at New York’s Town Hall in 2022. “There was an incredible chemistry with the band and the whole process felt electric, so a lot of what you hear on the album is the first take.”
The follow-up to 2023’s Echo the Diamond (hailed by Uncut as “songs that glint like shards of glass yet brim with love, grief, courage, existential doubt and all the stuff that makes us human”), I Am Both brings Glaspy’s disarmingly direct vocals and eloquent guitar work to a cathartic form of folk-leaning indie-rock. In a potent introduction to the LP’s luminous immediacy, the album opens on “Michigan”—a lush and lacerating piece of storytelling that imagines a post-breakup escape to the Midwest. “I was in Michigan a couple years back and had a really beautiful time, and thought about how New Yorkers sometimes fantasize about the countryside as a retreat from the intensity of the city,” Glaspy says. “It turned into a song about someone going through a bad breakup, and then deciding to just leave the city behind.”
