Hailing from Annapolis, Maryland, Pressing Strings is a powerhouse trio–led by guitarist and vocalist Jordan Sokel–has earned a loyal following with their genre bending blend of blues, rock, and folk, wrapped in soul-stirring storytelling and toe tapping grooves. Their music resonates with the emotional grit of blues, the laid back swagger of folk, and the urgency of modern rock.
Whether delivering heartfelt ballads or energetic anthems, Pressing Strings weaves lyrical introspection and high-caliber musicianship that feels both fresh and familiar. Sokel’s smokey voice and intricate guitar work is complimented masterfully by a star rhythm section. Held down tightly by drummer Justin Kruger–an energetic and charismatic performer whose style mirrors his outside the box personality and unique approach to the instrument, along with bassist Nick Welker–a solid and stoic figure who picks melodic lines and chordal voicings that makes the trio sound full and lush. All three members sing, adding harmonies reminiscent of southern California in the 70’s. Together they push the limits of what a trio can do and provide an immersive, feel-good vibe that hits the audience’s heart as hard as it does the ears.
Recently the band has been touring the US coast to coast headlining clubs and delighting festival audiences at such festivals as Palisade Roots and Bluegrass Festival, FloydFest, Annapolis Baygrass Music Festival, Firefly, Sweetwater 420Fest, Cavefest etc while sharing the stage alongside major artists like Gov’t Mule, Toad The Wet Sprocket, JJ Grey and Neil Francis.
Music has guided Driftwood to hallowed ground many times since its founding members, Joe Kollar and Dan Forsyth, started making music as high schoolers in Joe’s parents’ basement. Whether the Upstate New York folk rock group—which today also includes violinist Claire Byrne, bassist Joey Arcuri, and drummer Sam Fishman—are converting new fans on a hardscrabble tour across the country or playing to a devoted crowd at hero Levon Helm’s Woodstock barn, the band’s shapeshifting approach to folk music continues to break new ground. And yet in many ways Driftwood’s latest work, the transformative December Last Call, finds the group coming home.
Recorded in that very same basement where the Driftwood dream began, December Last Call lyrically reflects on the recent past, musing on the ways the group grew up, together and apart, through curveballs like new parenthood or pandemic shutdowns. But sonically, the band’s sixth album looks confidently to the future, experimenting with new sounds while staying true to the bluegrass roots that built them. Across the album’s nine tracks, the band often leans into hard-rocking electric guitars and driving percussion: On “Every Which Way But Loose,” we get a foot-tapping beat and a sweeping chorus, and on “Up All Night Blues,” the band shines with an ambling, sing-along-able reflection on the challenges of new motherhood. But other tracks, like standout closer “Stardust,” take a simpler route, allowing bare-bones vocals and acoustic instrumentals to underpin a deeper emotional message.
