Bit Brigade Performs “Super Mario World” + “F-Zero” LIVE
Bit Brigade performs rock covers of full NES game soundtracks as their gamer speedruns the game live on stage. “When was the last time you attended a live music performance with a genuine element of risk involved? And no, going to a Gwar show with a white t-shirt on doesn’t count. When Bit Brigade takes the stage your mind will frantically oscillate between “Oh! Agh!! Please don’t die!!” and “YES! He’s doing it!!” Combining the dread and daring of a live video game speed run with the spot-on technique of a live band covering the musical accompaniment to everything you’re seeing on-screen in real time, Bit Brigade will have you swinging between the two mediums. From thrashing about to live renditions of your favorite stage themes, fingers yearning to the sky in a rock ‘n roll parody of sea anemones seeming to silently plead, “Please, feed us more fretboard pyrotechnics!,” to being locked in stock-still rapture as the infallible maestro of the d-pad, Noah McCarthy, takes on the final boss and risks his video game life under the threat of intense peer scorn (or the reward of night-long glory and a credits score). No matter the outcome, Bit Brigade must play on until the deed is done – which it always is – on the first (and last) try. Once Noah’s NES buzzes on, there’s no turning back.” – Metalhead Mike of The Shizz, summer 2011 Website | Facebook
BabyJake
Florida-born Jake Herring, known professionally as BabyJake, may have appeared to be an overnight success, but his journey to the spotlight was anything but instantaneous. His hit single Cigarettes on Patios took off in 2019, garnering 200M+ streams and earning him a certified gold record and a major label deal. He would release two albums from the same vine, until the upheaval of the pandemic saw him splitting with his label and at a pivotal turning point. But giving up was never an option for Jake, and his resilience set him on a new path: an ascetic journey to rediscover himself, shedding his shag haircut in favor of a buzzcut, naked skin marked by the tattoos he collected along his journey. He found the answer on his upcoming album Beautiful Blue Collar Boy, a bouquet of songs rooted in the beauties and hardships of day to day life. Drawing influence from the likes of Bob Dylan, Tom Petty, and Jeff Tweedy, BabyJake stays true to his north star of confident storytelling and songwriting. On Beautiful Blue Collar Boy, Jake trades in the late night parties for the simplicity of authenticity, hard work, and a meaningful life to come home to. This chapter of BabyJake reveals a man stripped down to his American roots, with each song painting a small vignette of BabyJake’s blue collar dreams. Now planted in Nashville, TN, Jake returns to us as a Beautiful Blue Collar Boy. Website | Instagram | Facebook | Spotify | YouTube
Essenger
Sworn enemy of the genre police, Essenger spawned into the metaverse in 2018, becoming the ultimate nexus to unite fans of retrowave, hip hop, and electronic dance music. With lyrics ranging from emotive anthems to sci-fi plots, his formidable powerhouse of synths and infectious vocal hooks and are no match for the alternative music scene. Essenger signed with independent label FiXT Neon in 2020 with his debut album After Dark, followed by various Monstercat collaborations and setting the stage to bring his live act into virtual reality and perhaps soon, a city near you. Website | Bandcamp | Instagram | Twitter | Facebook | Spotify | YouTube | Soundcloud
The Old Ceremony 20 year Celebration and “Earthbound” Record Release
Local institution The Old Ceremony burst onto the Chapel Hill scene in 2004 with noirish sensibilities and adventurous instrumentation and has been evolving ever since. They’ve performed with The Jayhawks, CAKE, Squirrel Nut Zippers, Chuck Berry, Giant Sand, and Chuck Prophet to name a few. Their new album, Earthbound, is their sixth studio effort and their first release in nine years. The evening will include a full performance of the new album and a set of old favorites featuring many special guests. Website | Twitter | Facebook
M. Ward
For Beginners: The Best of M. Ward is a collection for M. Ward fans of any vintage. Gathering together 14 tracks from across his Merge Records discography, including the newly recorded song “Cry,” For Beginners is both a primer and a mixtape of favorites sequenced in a way that gives them new life. Beginning with “Chinese Translation” and “Poison Cup” from 2006’s Post-War, For Beginners drops in on Ward as he expands his prowess in the studio. His singular cover of David Bowie’s “Let’s Dance,” from 2003’s Transfiguration of Vincent, breaks out into the exuberant “Never Had Nobody Like You” from 2009’s Hold Time. Rather than the neat evolutionary line suggested by a chronological arrangement, what holds For Beginners together is Ward’s impeccable skill as a songwriter, which remains in focus as his sound expands from low-fi home recordings to electric, radio-ready stompers. Serendipitously timed for release during Merge Records’ 35- year anniversary, this celebration of one of the label’s most beloved artists includes “Cry”—his first new recording on Merge since 2018—a stripped-down cover of the Godley & Creme pop classic featuring Melbourne, Australia’s Folk Bitch Trio. M. Ward on “Cry”: “Cry” was recorded in a Tasmanian modern art museum called MONA. I sat at the end of a long hallway a few feet away from Anselm Kiefer’s sculpture of a 20-foot-high stack of lead books, and standing to my left and right around a single microphone were Melbourne’s Folk Bitch Trio; we rehearsed and recorded “Cry” in about 30 minutes. A pleasure to add this song to a collection of some of my favorite memories of music-making during the first decade of record-creating with my friends at Merge. The song is the perfect capstone for a collection of this nature, summing up much of Ward’s power as a musician: the richness he’s capable of achieving in sparse recordings, his knack for collaboration, and his ability to see through to the soul of a meticulously crafted pop song—as much a means of looking forward to what’s to come of his own work as it is a callback to his past. Website | Instagram | Twitter | Facebook | Spotify | YouTube
Karl Denson’s Tiny Universe
KDTU has electrified audiences around the world for over 25 years from the fields of Naeba in Japan at the infamous Fuji Rock Festival to the hallowed stage of Madison Square Garden where they previously joined the Dave Matthews Band and The Godfather of Soul, James Brown. From performing as Sexual Chocolate (Karl was in the original band in themovie Coming To America and its sequel) at the Outside Lands Music festival in San Francisco, to being the first late night act at the inaugural Bonnaroo festival, KDTU have been a dominating force in music for the past 25 years. All-night, sold-out concerts during Jazzfest in New Orleans have featured sit ins by everyone from Lenny Kravitz & Steve Winwood (with whom Karl has recorded and toured) to avant garde luminaries Marc Ribot & Boyfriend. Chuck Leavell and Bernard Fowler (Karl’s bandmates in The Rolling Stones where Karl replaced the great Bobby Keys as saxophonist in 2014) have joined onstage and on record, as have Lukas Nelson, John Oates, Michael Franti, Warren Haynes, Ivan Neville, Anders Osborne, Big Daddy Kane, Roy Hargrove, Maceo Parker, Fred Wesley, Joshua Redman, Marcus King, and Bernie Worrell, among others. Touring the country with the Allman Brothers, My Morning Jacket, D’Angelo, The Roots, Public Enemy, Bob Weir of The Grateful Dead, Parliament Funkadelic, Slightly Stoopid, Widespread Panic, very few concert goers have been untouched by the Tiny Universe live. In addition to KDTU, Karl Denson aka “Diesel” is a founding member of the seminal groove act The Greyboy Allstars. Website | Instagram | Twitter | Facebook | Spotify | YouTube
Gatecreeper
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Matthew Sweet Acoustic Trio – CANCELLED
This is a seated show. Before the gold and platinum albums, before the MTV hits and critical renown, power-pop and alternative-rock pioneer Matthew Sweet was just a 13-year-old bass player sitting alone in his Nebraska bedroom, daydreaming of a life spent making music. “I was just starting to write songs and play a little guitar and I had this thought: I wonder if when I’m old and I’ve been around music a really long time, I might suddenly just be able to play lead guitar without ever properly learning how. Maybe if you just play a really long time, it just kind of comes together? And the funny thing is, it did. I’m able to.”On Catspaw, his 15th studio album, due out January 15, 2021 on Omnivore Recordings, Matthew Sweet cranks his vintage amplifiers and steps into a role previously played by some of his generation’s most unique and incendiary lead guitarists from Richard Lloyd (Television) to Robert Quine (Lou Reed) and Ivan Julian (Richard Hell & the Voidoids). Though Catspaw is absent of his famous collaborators, their presence is felt in the mark they left on Sweet’s guitar work. His solos are audacious, confrontational, and inspired.“I play free form,” he says. “Nothing is too labored over and that was important. It’s spontaneous. The more you can do that, the more organic it is.” He refined his style over decades of collaborating with great guitarists. “Richard’s [Lloyd] playing influenced me a lot — the ambition he has, that feeling when he just lets loose. I not only related to the approach, I related to it musically. I was also developing my ear over time. Now I can hear where I want a lead line to go.”Catspaw is guitar-driven: 12 songs, lean and consistent, direct, and notably darker than Sweet’s recent song-cycles. Apparent in tracks like “Best of Me” and album-opener “Blown Away,” the inner-turmoil harkens back to the angst of 1993’s Altered Beast. But where Beast was the self-interrogation of an artist in his mid-20s, Catspaw is the confessions of a career artist, mature and assured in his craft and achingly transparent in his confrontations of aging and the search for meaning. “I’m trying to get my head around getting older, I want to let go, I want to tell the ugly truth … I want to do all kinds of different things in my head and they really popped out in these songs.”In true Sweet fashion, Catspaw’s mischievous title was born from equal parts grappling with his own mortality and some television obscura from his childhood. “I learned the term from a 1967 Star Trek episode I adored as a kid. (The storyline features a gigantic feline villain). “Recently I heard “catspaw” again and started looking up definitions. I really connected to the idea of the certain and deadly inevitable — the pounce. Don’t ever forget life is totally cruel and the catspaw is already coming down on you.”But despair is not the conclusion of Catspaw; one song, “Challenge the Gods” urges quite the opposite. “That song is about defiance. I’m saying, ‘to hell with fate and gods and things like that.’ Like Dylan Thomas said, ‘Rage against the dying of the light.’” Bolstered by a layer of chugging rhythm guitars, this pick-me-up anthem is his “I Won’t Back Down” — “Rise above, take your place / Punch the world in the face,” he sings. Website | Instagram | Twitter | Facebook
High June, Wild Love, Lennon KC
High JuneHailing from Greenville, NC, High June is an alternative rock band striving to bring back that high-energy 80-90’s rock sound with a modern twist. With music inspired by legends such as Stone Temple Pilots, Foo Fighters, Guns N’ Roses, Pearl Jam, and Highly Suspect, High June never fails to tear up stages with electrifying performances. Instagram Wild LoveCheeky as all hell and brimming with attitude, Nashville’s multinational rock outfit Wild Love is here for your entertainment. Made up of Irish born-and-raised frontman Brandon Gorman’s songwriting and dynamic live performance, alongside the production and driving guitars of New York’s Michael Crecca, the band has taken their lively, British guitar band and 90s US pop rock/punk influenced live show all over the world, playing clubs and colleges up and down the east coast, as well as embarking on a self-booked/managed International Tour across the US, Ireland and the UK in 2022, and playing Ireland’s esteemed Electric Picnic along the way. Instagram Lennon KCGroovy, gritty, raw, Lennon KC emerges from North Carolina as a captivating force, sonically scratching an itch in your brain you didn’t know you had. He embodies a whimsical spirit with a sound that spans Bedroom Pop, Alt Grunge, Rock-Pop-Blues, and Contemporary Hip-Hop. His true superpower is an electrifying stage presence that ignites audiences with his boundless energy and a voice that dives deep into the soul, from honeyed highs to gravelly depths. After his latest release ‘Culdesac Kid’, the 24 year old is focused on recording his next project and touring across NC’s music scene with a cutting edge sound. Instagram
Kashus Culpepper
Alabama-born country crooner Kashus Culpepper encompasses the sound of the South. A student and reverent purveyor of Southern music – country, soul, blues, folk, and rock – Culpepper’s husky, sandpaper growl bellows like a freight train over self-penned stories that are as raw and real as they are haunting. Finding his voice in church as young as five years old, it wasn’t until 2020’s global pandemic that Culpepper went from listener to performer, picking up a guitar and learning cover songs to play at barrack bonfires in Rota, Spain during his deployment with the Navy. Covers soon became originals, and once he landed home on U.S. shores, Kash played dive bars up and down the Mississippi Gulf Coast, making a name for himself with the fresh-yet-reminiscent sound that oozes from his very being. Crashing into prominence now, Culpepper has already sold-out headline club shows throughout the South despite never formally releasing a single song, also opening shows nationwide for sound pioneers like Charles Wesley Godwin, Charley Crockett, and NEEDTOBREATHE. With Nashville taking notice, Culpepper found a musical home at Big Loud Records, and just dropped his first career single “After Me?” MusicRow hails Culpepper as “thoroughly gripping,” and with the promise of more music on the way in 2024, The Tennessean predicts how one of their 10 Nashville artists you need to know for 2024’s “forthcoming material could offer…significant acclaim.” Website | Instagram | Spotify | YouTube | TikTok
