L’Rain
L’Rain has partnered with PLUS1 so that $1 from every ticket sold goes to Sounds of Saving and their work designing and providing tools, content, resources, and curriculum to young people on how to discover and utilize music to support their mental health and wellness. L’Rain is the musical project of multi-instrumentalist, composer, producer and curator Taja Cheek. Operating between the worlds of art and music, and outwards into film, fashion and cultural discourse, Cheek is forging a unique path that transcends disciplines to become one of the most vital and adventurous voices for this warped contemporary moment. Currently the artistic director of Performance Space NY and readying the release of L’Rain’s fourth album, fata morgana, Cheek’s creative impact resonates through her uncompromising commitment to community-building, navigating structural inequality while challenging musical conventions and expectations at every turn. L’Rain is its thrilling manifestation. Raised in Brooklyn and rooted in the city’s vibrant noise community, Cheek’s world was defined by a tension of contrasts from the off — classically trained yet steeped in DIY iconoclasm, drawn to lush orchestrations and gritty tape loops alike, finding cracks in established forms, taking risks and letting the light pour through. Fascinated by the schisms, feedbacks and distortions that emerge between identity and society at large, Cheek worked closely with collaborators Ben Chapoteau-Katz and Andrew Lappin to hone a sound for L’Rain that is intense, playful, seductive and deeply personal, deconstructing pop tropes with impressionistic flair and subverting the very notion of experimental music within the Black American tradition. Where the “psychic collage” of self-titled 2017 debut revelled in the collisions of hi- and lo-fi technology, it was 2021’s Fatigue that propelled L’Rain to a wider audience. Gaining critical acclaim from NPR, album of the year in The Wire and #2 in Pitchfork’s best albums of 2021, it set the foundations for 2023 album I Killed Your Dog, which skewed towards ‘90s RnB influences — a bold, bratty, diabolical anti-break-up record that untangled Cheek’s relationship with femininity and the formal musical conventions that others imposed on her. fata morgana is the daring and ambitious high point of this quadrilogy of L’Rain releases. A heady synthesis of sonic influences, from digi-dub, dream pop and gospel slow jams to tape meditations and crunched thrash metal, it is an album that effervesces in the messiness of life, interrogating power relations while reckoning with self-doubt, self-love and the mirages of belonging and alienation that shape Cheek’s lived experience of the United States today. This capacity to articulate emotional nuance within a wider societal critique has defined Cheek’s curatorial work with major institutions like Creative Time, the High Line, and MoMA PS1, where she reframed the music programme over several years. Challenging the systemic barriers to representation in the arts, Cheek’s accessible and community-centred approach defined her success as guest curator of the 2024 Whitney Biennial and extends to her current role at Performance Space NY, whose programming has shaped cultural, theoretical and political discourse over four decades. Website · Instagram · Facebook · Spotify
Songs From The Road Band, Big Fat Gap
Songs From The Road Band is an award winning Asheville, North Carolina based bluegrass band featuring Mark Schimick (mandolin), Charles Humphrey III (bass), Sam Wharton (guitar), James Schlender (fiddle), and Gabe Epstein (banjo). Their most recent single ‘Outside Of Omaha’ went to number one on the Bluegrass Today Grassicana chart. They have 6 studios albums available at all musical outlets. Website · Facebook · Instagram · YouTube
The Rattletraps Album Release Party
The Rattletraps are a band of songwriters based in Durham, NC, creating a culmination of roots rock, country and blues music. Come help celebrate the release their debut album, Cuff and Collar on August 1st at the Cat’s Cradle back room! Website
Jack The Songman
JACK THE SONGMAN Jack The Songman is a new artist from North Carolina determined to show you a good time straight from the heart. The man behind the song, Jack Carmichael, has been making music in the Triangle for more than a decade. Under the “Songman” moniker, he writes songs with a funky, classic pop sound that feels familiar but sincere. Love, togetherness, and celebration of the mundane are central motifs baked into the entire Songman catalog. Born into a family of musicians, Carmichael has been a member of various musical ensembles since childhood—however, it wasn’t until his mid-twenties that he stepped into the dual role of frontman and songwriter as Jack The Songman. With the support of lifelong friends and collaborators (known collectively as The Songman Band), Carmichael has forged a genre-melding, piano-driven sonic identity that weaves together elements of yacht rock, funk, and power pop while calling to mind musical forces such as Michael McDonald and Ben Folds. Since stepping onto the scene, the Songman has made a name for himself playing high-energy shows throughout the Triangle. Carmichael’s songwriting craft has made an impression on his hometown, generating a commission to write and record the signature jingle for Chapel Hill’s radio station, 97.9 The Hill WCHL. Website · Instagram · Spotify · Bandcamp · YouTube PINT NIGHT Conceived in the heart of Chapel Hill, Pint Night is a new indie rock band composed of five members: Jack Carmichael (keys), Reese McDonald (bass), Ryan Anderson (drums), Sameen Salam (aux keys), and Connor Luckey-Smith (guitar). The lineup originally met while attending the University of North Carolina at Chapel Hill, where they bonded over their shared love of tight vocal harmonies, serviceable pints, and making merry. After many years of hangs, jam sessions, and post-grad pints, all five friends had the exact same revelation in 2025: “We should form a band and call it Pint Night.” The five-piece is excited to share their catalog of soul-infused alt-rock headbangers across the Triangle for weeks, if not months, to come. Website · Instagram LAURA IVY Laura Ivy is an independent singer-songwriter based in North Carolina. Her first debut Mansion of Rain focuses heavily on lyricism regarding internal thought processes one goes through in day-to-day life; the questions, validations, and related analogies of nature. Vocals, the background, and lead voices are the mediums for such questions and answers, mimicking the voice of human thought that plays throughout each day. Website · Instagram · Spotify
Southern Culture on the Skids
Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O’Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin’ out for the inmates at North Carolina correctional facilities. They’ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed “a hell raising rock and roll party.”At Home with Southern Culture on the Skids is the latest full length album from the band and is due to drop into stores on March 12th. The album consists of 11 tracks recorded and mixed in Rick Miller’s living room with some additional tracks recorded at his studio, The Kudzu Ranch.The first radio single off the album is “Run Baby Run”—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she’s gotta to go fast! Run Baby Run!The other songs on the album are a combination of the band’s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls “our wobbly Americana”. Rick goes on, “We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on “At Home With” and let’s hang out for a while.” Guitar riffs as lumpy as a camel, rough as a jackhammer or smooth and bright as Tennessee sippin’ whiskey, all slung loose and loud over salacious beats – No Depression For over thirty years, Southern Culture On The Skids have played an eclectic range of Americana including rockabilly, surf rock, country and R&B, with a punk edge and heaps of humor. They are known for their legendary live shows and wacky antics…But it’s more than just great fun; they are fantastic musicians to boot. – Elmore Magazine This Chapel Hill-based trio is flat-out amazing. Without resorting to needless flash or attention-hungry showboating, Miller in particular is one of the most spectacularly gifted guitar players I’ve ever seen. He juggles a lot of styles – country, garage rock, surf, rockabilly and soul to name just a few. – Stomp & Stammer Website · Facebook · Instagram
Popsicle
Featuring The Connells, Superdrag, Chuck Prophet, Young Fresh Fellows, The Mayflies USA, The Popes, Jonny Polonsky, Five Eight, Bass Battery. Taking place at Cat’s Cradle Back Yard, Cat’s Cradle, and Cat’s Cradle Back Room.
Ben Quad, Macseal
The story of BEN QUAD is punctuated by moments of randomness: a chance meeting via Craigslist bonding over bands like Microwave and Modern Baseball. An out-of-nowhere name drop from indie tastemaker Ian Cohen lauding their debut album, 2022’s I’m Scared That’s All There Is. A one-off sonic curveball that somehow turned into their biggest song – and, without them realizing it at the time, a brand-new freedom to reinvent themselves. But serendipity has done more than bring Ben Quad here, to the release of WISHER, their first LP for Pure Noise Records: It’s taught them to thrive inside the unpredictable, to harness a no-limits musical mentality and self-effacing sense of humor and turn it into some of the most resonant, captivating emo of today. Well, actually, post-emo. “This is our love letter to the genre,” singer/guitarist Sam Wegrzynski says of the album. “It’s an amalgamation of all the shit emo kids like: screaming, synths, pop sensibilities all mixed with crazy emotional stuff. What’s post-emo if not the next evolution?” The Oklahoma City-based quartet have always been evolving. I’m Scared That’s All There Is cemented them as a force in the modern emo movement, landing them on bills with the likes of Hot Mulligan and Knuckle Puck. The standalone single “You’re Part of It” added a harder, screamo-tinged edge to their sound, while an outpouring of support to a social media shitpost declaring “If ‘You’re Part of It’ gets 10K streams by Wednesday, we’ll put out a screamo EP” took them even further down that road with Ephemera, their 2024 EP. (The song currently boasts more than 4 million streams.) Now, with Wisher, the band deliver a true follow-up to their debut that fully embraces everything that’s followed it since. The 10 songs on Wisher find Wegrzynski, Edgar Viveros (lead guitar), Henry Shields (bass/backing vocals) and Isaac Young (drums) pulling from every corner of their record collections: jagged punk riffs, glassy math-rock, sticky pop hooks and glitchy production that push toward something futuristic. But rather than a scattershot collage, these elements recur as motifs – a melody here, a guitar line there – stitched together with purpose and intention. First single “It’s Just A Title” serves up a groove factory complemented by smooth vocals and lifting keyboards, while the frantic “Painless” rips through speakers with the ferocity and melodicism of They’re Only Chasing Safety-era Underoath, if their guitarists spent more time studying Midwest emo than metalcore. “Did You Decide to Skip Arts and Crafts” welcomes Treaty Oak Revival singer Sam Canty – and a well-placed banjo – onto a genre-blending Tumblr-era throwback, “Classic Case of Dead Guy on the Ground” ascends with a preposterously sublime falsetto hook, and the brooding “West of West” brings things full circle for the band with a cameo from Microwave’s Nathan Hardy. Website · Instagram · Facebook · TikTok Macseal Website · Instagram · Bandcamp · Facebook · YouTube
The Jayhawks
For more than forty years, The Jayhawks have created music that embodies the enduring spirit and soul of classic American songwriting. The Jayhawks emerged from Minneapolis in the post-punk era of The Replacements, Hüsker Dü and Soul Asylum. They pioneered today’s Americana movement through a series of classic albums that introduced rock audiences to their unique musical stew of country, folk, soul, Britpop and rock ‘n’ roll.The band has played most every major music festival, from Farm Aid to Primavera Sound, Pinkpop to Wilco’s Sky Blue Sky. In the tradition of The Band and Tom Petty & The Heartbreakers, The Jayhawks have toured with and served as backup band for many of music’s most acclaimed visionaries, including Ray Davies, Roger McGuinn, and Johnny Cash.Today, Gary Louris, Marc Perlman, Karen Grotberg and Tim O’Reagan continue to record and tour worldwide. Over 12 studio albums and three live albums, The Jayhawks are still building a legacy of music that stands the test of time.The band once again teamed up with legendary producer Bob Ezrin (Pink Floyd, Peter Gabriel, Lou Reed) to create their upcoming album entitled Sanctuary Park, set to be released late summer 2026. Website · Facebook · Instagram · YouTube
Frog
Frog is a 2-3 person guitar band from the swamp in New Rochelle, NY. They issued their self-titled debut mini-album “Frog” on Brooklyn’s now defunct Monkfish Records which Gold Flake Paint called “The best American guitar record of the year. Seriously. It’s like every cult band from the past decade bottled into half an hour of music.” The duo returned in 2015 with their highly acclaimed debut LP “Kind of Blah” on the UK’s Audio Antihero Records which included the fan-favorite singles “Judy Garland” and “Photograph.” Frog promoted the album with a tour of the UK, which was later documented in the 2018 film ‘Kings of Blah’. In November 2018, they issued their long-awaited follow-up “Whatever We Probably Already Had It” mini-LP on Audio Antihero. This was followed in August 2019 with the freak-folk opus “Count Bateman,” featuring the sleeper stoner hit single, “You Know I’m Down.” Website · Instagram · Spotify
Russian Circles
Across the span of their previous seven studio albums, Chicago-based instrumental trio Russian Circles traversed a diverse topography of sounds, moods, and approaches with their limited armory of drums, bass, and guitar. It’s difficult to chart an evolution in their sound when their records have always felt like well-curated playlists. It wasn’t uncommon to hear drone-heavy meditations, dazzling prog exercises, knuckle-dragging riff-fests, haunting folk ballads, and tension-baiting noise rock all within the span of one album. Still, it’s difficult to ignore the progression from the pensive and intricate melodies of Enter (2006) to the layered distorted dirges of Blood Year (2019). It’s been a gradual sonic shift owing to the band’s rigorous tour schedule and a predilection towards playing their more authoritative material on stage. But with their latest album, Gnosis, Russian Circles eschew the varied terrain of their past work and bulldoze a path through the most tumultuous and harrowing territory of their sound. As was the case for so many artists in the age of COVID, the obstacles of geography and isolation forced Russian Circles to reevaluate their writing process. Rather than crafting songs out of fragmented ideas in the practice room, full songs were written and recorded independently before being shared with other members, so that their initial vision was retained. While these demos spanned the full breadth of the band’s varied styles, the more cinematic compositions were ultimately excised in favor of the physically cathartic pieces. Gnosis was engineered and mixed by Kurt Ballou. Drums and bass were tracked at Electrical Audio in Chicago to maximize the natural room sounds of the rhythm section. Guitar and synth overdubs were conducted at God City in Salem, MA to take advantage of Ballou’s vast inventory of amps and effects pedals. Despite the entirety of the album being written remotely, the songs were recorded with the full band playing together to retain the live feel of the material. Owing to the climate of the times and a new writing method, Russian Circles created their most fuming and focused work to date—an album that favors the exorcism of two years’ worth of tension over the melancholy and restraint that often colored their past endeavors. Website · Facebook · Instagram