Fleshwater
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Sarah Shook & the Disarmers Album Release Show
It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I’ve ever had. It’s life-saving. I don’t care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.Website | Instagram | Twitter | Facebook | Spotify | YouTube
Robyn Hitchcock
This is a seated show. Robyn Hitchcock is one of England’s most enduring contemporary singer/songwriters and live performers. A surrealist poet, talented guitarist, cult artist and musician’s musician, Hitchcock is among alternative rock’s father figures and is the closest thing the genre has to a Bob Dylan (not coincidentally his biggest musical inspiration). Since founding the art-rock band The Soft Boys in 1976, Robyn has recorded more than 20 albums as well as starred in ‘Storefront Hitchcock’ an in concert film recorded in New York and directed by Jonathan Demme. Blending folk and psychedelia with a wry British nihilism, Robyn describes his songs as ‘paintings you can listen to’. His most recent album is self-titled and marks his 21st release as a solo artist. Out on April 21 2017, the album is produced by Brendan Benson (The Raconteurs). Hitchcock describes it as a “ecstatic work of negativity with nary a dreary groove.” It has received rave reviews from UNCUT, Rolling Stone, Paste, Tidal and more. “A gifted melodist, Hitchcock nests engaging lyrics in some of the most bracing, rainbow-hued pop this side of Revolver. He wrests inspiration not from ordinary life but from extraordinary imaginings…” – Rolling Stone “These 10 gems slither, rock, roll, glide and shapeshift, coalescing around Hitchcock’s typically anxious, strained but striking and immediately identifiable vocals.” – American Songwriter “Beloved of everyone from Led Zeppelin to REM, Hitchcock has only enhanced his status with this wonderful outing.” – Hot Press “Witty, moving and seriously catchy, Robyn Hitchcock is a glorious return for a man who wasn’t really gone in the first place.” – Paste Magazine Website | Instagram | Twitter | Facebook
Remo Drive
To find their muse again, REMO DRIVE went back to where it all began: their parents’ basement. It had been a long time coming for the Paulson brothers – Erik (vocals, guitar) and Stephen (bass) – who formed Remo Drive in Bloomington, Minnesota, in 2013 and have since captivated audiences around the world with an earnest, idiosyncratic brand of indie-rock and two highly lauded albums: 2017’s Greatest Hits and 2019’s Natural, Everyday Degradation.When the Paulsons stumbled across a Tascam recording desk on Facebook Marketplace in 2019, they thought it might make a nice starting point to demo songs for their then-forthcoming third LP. But $250 and a few weeks later, they found themselves fully entrenched in making the actual album itself. Not only that, but the safety and security of their parents’ home provided a welcome respite for the brothers, who have learned they’re most creative without a ticking clock and prying eyes peeking over their shoulders.“Our workflow is naturally different from what most producers and studios like to do,” Erik explains. “We take things in our own weird approach and order. There’s a sense of privacy working at home. It doesn’t feel like you’re working with the door open during the incubation process.”The resulting album, A PORTRAIT OF AN UGLY MAN (due out June 26 on Epitaph) finds the band truly in their element – both physically and sonically. Whereas the Paulsons filtered their buoyant songwriting through the concise lens of storytellers like Bruce Springsteen and The Killers on Natural, Everyday Degradation, LP3 is more spontaneous, awash in the same sort of acrobatic guitar arrangements and levity that made Greatest Hits such an underground favorite.“I wanted to get back to playing guitar the way I used to, and then throw songwriting on top of that,” Erik says. “On the last album, I approached playing guitar in a more songwriter-y way. I had really scaled it back so it wouldn’t be as hard for me to sing and play simultaneously, but the guitar is way more forward again now.”Self-produced and mixed by the duo, A Portrait of an Ugly Man feels all at once familiar and fresh: The basement breathed a looseness into songs like “If I’ve Ever Looked Too Deep In Thought” and “Ode to Joy,” while the freedom of the sessions left the band able to explore the next evolution of their sound. As such, the 10-song set tips its hat to both the classic rock the brothers grew up on as well as previously untapped influences: Erik namechecks desert-rock artists like Queens of the Stone Age while admitting The Good, The Bad and The Ugly soundtrack and his binge-watching of old Westerns contributed to the album’s tremolo-heavy, American frontier gunslinger pastiche.But this time around, the guiding hands of their musical influences is less overt, a conscious decision the band address on album standout “Star Worship,” which preaches the need to eschew reverence for others and instead trust in yourself. That unflinching sense of self-awareness is what made Remo Drive so endearing as they found their footing in the mid-2010s, but it’s never been as crystalized as it is on A Portrait of an Ugly Man. So while the songs still tackle life’s weighter topics, they’re cut with more self-deprecation and embrace all of life’s absurdity and weirdness in the process. They don’t attempt to minimize serious subjects, but rather provide some much-needed irreverence. Website | Instagram | Twitter | Facebook | YouTube
Jervis Campbell
Jervis is a Nashville-based music guy from NC. He is in the process of producing and releasing his second album called the “Hopeful Hearts Club” and will be releasing and touring it throughout 2023! His songs are prayers that have helped him through his life and he hopes that they would help you too. Thank you for your support and encouragement!!!Website | Instagram | Facebook | Spotify | YouTube
Kiltro
Years ago, Chilean-American singer/songwriter Chris Bowers Castillo moved to the port city of Valparaíso and became a walking tour guide.“I would dress up as Wally and give tours to families and kids,” he remembers with a laugh. “It was great, because I got to know the city incredibly well. I’d walk for hours, then spend the rest of the day partying and drinking, probably way too much. But I also wrote lots of new songs.”Back in Denver, Chris looked for a moniker that reflected the evocative and subtly rebellious musical concepts percolating in his head, and settled on kiltro – a word used in Chile for stray dogs or mutts. He then teamed up with bassist Will Parkhill and drummer Michael Devincenzi, later inviting Fez García to join the band as an additional percussionist on Kiltro’s live gigs.“I wanted to do a project mixing different styles and aesthetics,” he says. “Valparaíso is my favorite city in the world and will always influence my music. There were street dogs everywhere, and I’m a mutt myself.”Titled Underbelly, Kiltro’s sophomore album crystallizes those dreams and experiences into a post-rock manifesto of dazzling beauty. Its songs combine touches of shoegaze, ambient and neo-psychedelia with the soulful transcendence of South American folk – the purity of stringed instruments, supple syncopated percussion and elusive melodies that define the works of Latin American legends such as Violeta Parra, Víctor Jara and Atahualpa Yupanqui.From the propulsive, chant-like groove of “Guanaco” to the art-pop panache of “All the Time in the World,” Underbelly is the kind of record that invites you to quiet down and listen, savoring every single detail. The album reaches an emotional pinnacle during its second half, when the majestic lament of “Softy” – seeped in exquisite cushions of reverb – segues into the hypnotic reverie of “Kerosene.” It also signals a new chapter in the fusion of Latin roots with mainstream rock, anchoring its sonic quest on a rare commodity: inspired songwriting.“So much of this album is defined by the conditions that made it,” says Chris. “Our debut – 2019’s Creatures of Habit – has a social, almost communal feel to it, because we played it live time after time before recording. In a way, the songs were troubleshooted in the presence of an audience, then honed in the studio. Underbelly, on the other hand, was made in quarantine. It was just us obsessing in the studio, and we ended up following whatever thread seemed most interesting at the time, which made for an album that is more experimental and creative.”“We’re trying to make sense of the process as we experience it,” adds Will, who returned to Denver and became part of Kiltro after a few years living abroad. “The way we make music, we’re definitely not interested in dropping singles. Something that Chris and I have in common is our interest in capturing ambient textures that evoke a sense of place. When we first played music together – years before Kiltro – we got microphones and tried to record the sound of water running down a bathtub. It didn’t work out then, but we revisited the same concept on this album.”Website | Instagram | Twitter | Facebook | Spotify | YouTube
Bikini Trill
Bikini Trill is a vibrant surf-pop trio based in Los Angeles, California, celebrated for their unique blend of genres and captivating live performances. Founded in 2017, the band features the talents of vocalist Lauren ‘LJ’ Johnson, guitarist Tony Barker Stern, and bassist Kourosh ‘Roach’ Poursalehi. Their eclectic sound, which skillfully merges electronic, hip-hop drums, skank island guitars, and entrancing vocal melodies, has drawn comparisons to notable acts like Santigold, Sublime, and Red Hot Chili Peppers.In the spring of 2017, Bikini Trill made their live performance debut at the famed SXSW festival in Austin, Texas. They quickly gained momentum, embarking on their first nationwide tour in the fall of 2018, opening for New Politics and The Score. This was promptly followed by another nationwide tour in support of Reel Big Fish.2019 marked a significant year for the band as they collaborated with Jared Watson of ‘Dirty Heads’ on their single, ‘Lost Boy’. The song premiered on 96.5FM The Buzz and gained further recognition by making it onto Spotify’s Fresh Picks Playlist. That same year, Bikini Trill embarked on their first nationwide amphitheater tour alongside 311, The Dirty Heads, Interrupters, and Dreamers. Their captivating performances at renowned venues such as Red Rocks Amphitheater, Austin 360 Amphitheater, and Bank of New Hampshire Pavilion were met with sold-out crowds.In addition to their impressive touring record, Bikini Trill has also graced the stages of various esteemed music festivals. Their festival performances include Wonderfront Festival, One Love, Cali Vibes Fest, Bay Fest, Reggae Rise Up Maryland & Las Vegas, Everwild, and Summer Roots Fest.Presently, Bikini Trill is basking in the success of their latest EP release, “Hello, Welcome!” They are also preparing for a series of summer shows on the East Coast, supporting Dirty Heads, Lupe Fiasco, and Yelawolf. Their recent single, “What’s The Rush?!” has received notable recognition, earning a spot on KROQ 106.7’s Top 15 of 2022.Website | Instagram | Twitter | Facebook | Spotify | YouTube
Cole Chaney
“Originally from Boyd County, KY, Chaney has since relocated to Lexington and is sure to be the next big thing coming out of Kentucky. At only 21 years old, Chaney’s catalog may be small, but he already boasts an absolute masterpiece of an album in which he proves wise beyond his years.Mercy, his debut album released in 2021, is a 12-song showcase of Eastern Kentucky, blue collar anthems highlighted by Chaney’s deft lyricism and storytelling. An unknown musician prior to the album’s release, Chaney has since experienced a meteoric rise in popularity and has quickly amassed a growing and dedicated fan base, already thirsty for new music.”-Whiskey Riff Website | Instagram | Facebook | YouTube
Aterciopelados
Aterciopelados is the most emblematic band of Colombian rock. They possess an enormous repertoire of classics, such as: Florecita Rockera, Bolero Falaz, Maligno, El Álbum and more others), while staying relevant by experimenting, creating, and adapting. Andrea Echeverri and Conector have journeyed through the alternative Ibero-American music scene for 30 years. They are winners of 3 Latin Grammys for their albums ‘Gozo Poderoso’ in 2001, ‘Oye’ in 2007, and ‘Claroscura’ in 2018; and have been nominated 6 times for the Grammy Awards.This dynamic duo has written part of Colombian history in choruses and verses, with a feminine voice, they have lamented its violence and committed themselves to a possible future, fairer and less violent.With 11 albums: ‘Con el Corazón en la Mano’ (1993), ‘El Dorado’ (1995), ‘La Pipa De La Paz’ (1996), ‘Caribe Atómico’ (1998), ‘Gozo Poderoso’ (2000), ‘Evolución’ (2002), ‘Oye’ (2006), ‘Río’ (2008), ‘Reluciente, Rechinante y Aterciopelado’ (2016), ‘Claroscura’ (2018), and ‘Tropiplop’ (2021), they have transcended in the industry, breaking stereotypes, creating music with messages of female empowerment, environmental awareness, melodrama, impossible loves, and possible peace processes. In 2021, they presented their latest album ‘Tropiplop’, a cry in defense of art, women, and the planet, which earned them 2 nominations for the 2021 Latin Grammy Awards. They also released the singles ‘No Se Viola’ (ft. La Muchacha), ‘Ovarios’ (ft. Vivir Quintana) and ‘Plañidera’ (ft. Las Áñez), which were part of Andrea Echeverri’s art exhibition ‘Ovarios Calvarios’.During 2022, they toured Europe, Latin America & the United States with the ‘Tropiplop Tour’; they released the singles: ‘Síganme los buenos’ in collaboration with Bomba Estéreo and ‘Volver a Solreír’ with Ruben Albarrán from Café Tacvba. They also premiered the music video for the song ‘Meditacielo’ included in the album ‘Tropiplop,’ and their episode of ‘BIOS. VIDAS QUE MARCARON LA TUYA’ on National Geographic, where they took an emotional and revealing journey through the history of Aterciopelados.”For this 2023, Aterciopelados commemorates the 28th anniversary of their album ‘El Dorado’ (1995) with a major tour across Colombia, Latin America, United States, and Europe.Website | Instagram | Twitter | Facebook | Spotify | YouTube | TikTok
Reverend Horton Heat
Loaded .38s, space heaters, and big skies. Welcome to the lethal, littered landscape of Jim Heath’s imagination. True to his high evangelical calling, Jim is a Revelator, both revealing and reinterpreting the country-blues-rock roots of American music. He’s a time-travelling space-cowboy on an endless interstellar musical tour, and we are all the richer and “psychobillier” for getting to tag along. REVEREND HORTON HEAT have been the outlet of this creative mind for 29 years, leading to 10 full-length albums, 3 “best-of” collections, 2 DVD releases and thousands of memorable live performances. Never reaching platinum status or having a #1 radio single hasn?t been a problem for the Rev either, the band has continually been a mainstay of late night television and has toured with legendary acts such as Johnny Cash, Motorhead, Marilyn Manson, The Ramones, and many more, all of whom hold the Rev in the highest regard, as a true music industry legend. Now, entered into a fresh new partnership with Victory Records, REVEREND HORTON HEAT show no signs of slowing down in 2014. January 21st marks the release of their 11th studio album, appropriately titled REV. The album marks a much lauded return to riff-laden, out-of-control rock ‘n roll that fans fell in love with when they first heard “Psychobilly Freakout”. The album’s first single has already turned heads; “Let Me Teach You How to Eat” is REVEREND HORTON HEAT at its finest: tongue-in-cheek and so catchy, it won’t leave your head for weeks. The band has an incredible tour history and, with major shows and tours already booked throughout the year, will make sure you get the chance to dance one more time! Jim Heath and Jimbo Wallace have chewed up more road than the Google Maps drivers. For twenty-five psycho(billy) years, they have blazed an indelible, unforgettable, and meteoric trail across the globe with their unique blend of musical virtuosity, legendary showmanship, and mythic imagery. “REVEREND HORTON HEAT, he’s great and plays the music he believes in and nothing else. Go see him or I’ll kill you!!” Lemmy Kilmister (MOTORHEAD) Rev your engines and catch the sermon on the road as it’s preached by everybody’s favorite Reverend. REV is out January 21st. Website | Facebook | YouTube
