Greenefields Productions Presents

Futurebirds

Friday, February 24
Doors: 7pm : Show: 8pm
$25 / Day Of : $30

Rock juggernaut Futurebirds’ newest EP, Bloomin’ Too, is a benchmark that not only celebrates 13 years together, it’s also a testament to the sheer iron will of a group of musicians hungry for the fruits of its labor.

“Futurebirds is the best it’s been right now, far and away,” says singer/guitarist Carter King. “We’ve been unintentionally carving out our own space since the beginning, since we never exactly fit in anywhere else musically. We were always too indie rock for the jam festival, too country for the indie scene, a little too psych-rock to feel like we were Americana. The music over the years just kind of created its own weird little ecosystem — it’s thriving and it feels great.”

The Athens, Georgia-based group once again tapped storied My Morning Jacket guitarist/producer Carl Broemel in the latest chapter of this seamless, bountiful partnership that initially came to fruition with the 2021 EP, Bloomin’.

“Carl is extremely perceptive and an all-around smart dude. He’s really in tune with what the band is and what it strives to be. He’s engaged and understands our vision,” King says. “He’s a longtime hero of ours, and now is a friend and collaborator. It’s wild. And it’s great to be able to defer to someone you respect so much with creative decisions in the studio — we don’t just give that trust to just anybody.”

Captured this past spring at the legendary Ronnie’s Place in Nashville, Tennessee, the seven-song Bloomin’ Too is a vortex of sonic textures. The album ricochets from cosmic space, rock to rough around the edges, alt-country dreamscapes, sandy beach bum odes to kick in your step pop ballads — all signature tones and musical avenues at the core of the Birds’ wide musical palette.

“This is probably the quickest turnaround we’ve ever had for a record — we felt confident right when we got into the studio and just cranked it out,” says singer/guitarist Daniel Womack. “All of our frequencies are aligned as a band, where we’ve got this free-flow of ideas happening. We’re all on the same page right now and we have a lot of momentum going.”

For Broemel, he finds a sincere kinship and solidarity with Futurebirds. Witnessing first-hand the band’s blue-collar work ethic in the studio, Broemel was impressed and inspired by the ‘Birds’ democratic ways and means in how music is created and cultivated in the studio.

“Futurebirds have this unique vibe with three singer-songwriters in the band, where everyone is constantly shifting their function depending on the song,” Broemel says. “Everyone just kind of falls into place and finds something to contribute. Someone will lead the charge on one song, then fall back and let another take charge on the next — it’s something rare to see and behold in rock music, where normally there’s just one songwriter and one leader.”

That camaraderie between founding members King, Womack, singer/guitarist Thomas Johnson and bassist Brannen Miles began when they were college students at the University of Georgia. In recent years, the quartet has added pedal steel player Kiffy Myers, keyboardist Spencer Thomas and drummer Tom Myers.

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