Margaret Glaspy – The I Am Both Tour
In an era of excess and endless distraction, the New York-based singer/songwriter Margaret Glaspy rejects the noise in favor of something far more essential. On the self-possessed title track for her new album I Am Both, Glaspy offers an ardent refusal of any outside pressure to compromise her multidimensionality. “I wrote ‘I Am Both’ a while ago; the story is based on a female character that I look up to deeply—a woman who contains multitudes while seeing reality very clearly,” says Glaspy. “It can feel safer to try to fit myself into a category, but I find that embracing my own complexity is much healthier for me.” That embrace of complexity runs throughout the album’s eleven tracks. In the making of I Am Both, Glaspy stepped away from social media and soon discovered a clarity of mind she hadn’t experienced in years, followed by a sustained burst of creative momentum. As she penned her lyrics in longhand and then polished them up on a typewriter, Glaspy assembled a selection of songs that span from fictional vignettes to unguarded self-revelation to empathetic observation of the troubled world around her. Produced by Joe Henry (the three-time Grammy-winning singer/songwriter/producer known for his work with luminaries like Aimee Mann and Joan Baez), I Am Both ultimately stands as a striking new statement from one of the modern music canon’s most formidable songwriters. “When I started writing for this record I had a goal of getting my practice back—to walk the walk in terms of how I envision myself as a songwriter,” says Glaspy, a Northern California-bred artist who made her debut with 2016’s lavishly acclaimed Emotions and Math. “At first it was really hard to break that addiction to social media, but after a while something shifted. It felt like I’d gotten back to original thought instead of being under the influence of so many outside opinions. It was life-changing.” Her fourth full-length album, I Am Both, emerged from three days of sessions at New York City’s Reservoir Studios, where Glaspy recorded live with drummer/percussionist Jay Bellerose (Bonnie Raitt, Robert Plant, Alison Krauss), keyboardist Patrick Warren (Tracy Chapman, Tom Waits, Bruce Springsteen), and bassist Ross Gallagher (Paula Cole, Grails). “I always think of myself as more of a photographer than a sculptor in the studio—it’s about capturing the moment rather than layering and building things up over time, and Joe has a similar mentality when it comes to recording,” says Glaspy, who first connected with Henry at a T Bone Burnett-curated tribute to Bob Dylan at New York’s Town Hall in 2022. “There was an incredible chemistry with the band and the whole process felt electric, so a lot of what you hear on the album is the first take.” The follow-up to 2023’s Echo the Diamond (hailed by Uncut as “songs that glint like shards of glass yet brim with love, grief, courage, existential doubt and all the stuff that makes us human”), I Am Both brings Glaspy’s disarmingly direct vocals and eloquent guitar work to a cathartic form of folk-leaning indie-rock. In a potent introduction to the LP’s luminous immediacy, the album opens on “Michigan”—a lush and lacerating piece of storytelling that imagines a post-breakup escape to the Midwest. “I was in Michigan a couple years back and had a really beautiful time, and thought about how New Yorkers sometimes fantasize about the countryside as a retreat from the intensity of the city,” Glaspy says. “It turned into a song about someone going through a bad breakup, and then deciding to just leave the city behind.” Website
The Afghan Whigs
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Dana and Alden
Jazz duo Dana & Alden have always had a wanderlust, something they credit to their maternal grandfather. Affectionately known as Papa, he was the kind of person others naturally gravitate towards. It was a photograph from one of his trips to Asia that inspired the Eugene, OR duo’s new album Papa’s Boat. In the image Papa is looking out across the horizon and stood next to his boat Sŵn y Môr (Welsh for “Sound of the Sea.”) “I think so much of what Alden and I are doing comes from just watching him live his own unique life,” says Dana. Alden agrees. “His emboldened, passionate personality gave us permission to be our own selves, to be unconventional and draw outside of the box.” Recorded with Malcolm Catto in London in March 2025, Papa’s Boat combines all their childhood love and global experience to create an ecstatic sound built on Dana’s saxophone and Alden’s drums. Recorded with the duo’s backing band, Ebba Dankel (vocals and keys), Andrew Mitchell (bass), Eli Torgersen (vocals and guitar) and Salim Charvet (sax and synths), Papa’s Boat is rooted in jazz but pulling influence from indie, pop, rap, bossa nova, and beyond. A hypnotic combination of sax and buzzing synths on “Lighthouse” sets the tone for an album that uses water as both a reflective surface and a body to get lost in. Elsewhere there are collaborations with Mei Semones, Melanie Charles, and legendary Brazilian songwriter Marcos Valle, a hero figure to the band who appears on “El Gaucho” and “Friendship Is A Boat.” Throughout its runtime Papa’s Boat sails purposefully between memories of the past and visions of a brighter future. It doesn’t just commemorate their Papa as a beloved character, but shares him with the world. Website · Instagram · YouTube · TikTok
Evening Elephants
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Circle Jerks & Municipal Waste
Circle Jerks emerged from the punk underbelly of LA’s South Bay in 1979. After serving as a co-founder and lead vocalist of Black Flag during the recording of its essential Nervous Breakdown EP, Keith Morris joined forces with former Redd Kross guitarist Greg Hetson to form what would become Circle Jerks, along with bassist Roger Rogerson and jazz drummer Lucky Lehrer. Unlike much of the unapologetic hardcore that seeped through the cracks of American suburbia, the music of the Circle Jerks was thoughtfully steadfast, yet relentless and ferocious in nature. Bringing together a potent, articulate rhythm section with earnest yet oftentimes derisive lyrics and themes, the band was thereafter heralded as a leader of the pack – and a force to be reckoned with. Plowing forward with a relentless, tooth-cutting work ethic and a rousing stage presence, the band would soon find itself headlining shows at LA’s 5,000-capacity Olympic Auditorium and emblazoned in cult video classics like Decline of Western Civilization, Repo Man, New Wave Theatre, and The Slog Movie. Over the decades, Circle Jerks would release six studio albums, including the acclaimed Group Sex (1980) Wild in the Streets (1982), Golden Shower of Hits (1983), Wonderful (1985), and IV (1987), where they would become a major headliner during the alternative music explosion of the 80’s and 90’s. During hiatuses, Morris fronted bands like OFF! and FLAG, while Hetson played guitar in Bad Religion. Bassist Zander Schloss (The Weirdos, Joe Strummer) has been a member since the 1980’s and veteran drummer Joey Castillo (The Bronx, QOTSA, Danzig, BL’AST!, Wasted Youth) completes the lineup as its newest member. Website · Instagram · Facebook · Spotify Municipal Waste Website · Instagram · Facebook
Julia Jacklin
Julia Jacklin is celebrated for her emotionally direct lyricism, captivating performances, and commanding voice. Since the release of her acclaimed debut Don’t Let The Kids Win (2016), Jacklin has become one of the most respected artists in contemporary independent music, with follow-up albums Crushing (2019) and PRE PLEASURE (2022) — the latter debuting at #2 on the ARIA Charts. Across her career, she has earned two ARIA Awards and had thirteen nominations and widespread international critical acclaim, with both Crushing and PRE PLEASURE landing on numerous year-end best-of lists and receiving universal praise from outlets including Pitchfork, Rolling Stone, NME, MOJO, and Uncut. A formidable live performer, Jacklin has built a substantial global touring audience through sold out headline shows at venues including London’s Roundhouse, Melbourne’s Forum, and Brooklyn Steel in New York, alongside appearances at major festivals such as Glastonbury, Primavera Sound, Austin City Limits, Pitchfork Music Festival, and Laneway. In addition to extensive headline touring, she has shared stages with artists including Mitski, Lana Del Rey, Courtney Barnett, and Faye Webster, with whom she has also collaborated musically. Following previous partnerships with Polyvinyl, Transgressive, and Liberation Records, Jacklin recently signed her first-ever global record deal with 4AD, marking a new chapter for one of Australia’s most internationally celebrated songwriters. Website · Instagram · Facebook · Spotify
Saxsquatch
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Love Spells – LOVE IS THE LAW WORLD TOUR
Love Spells is the mystic lovechild of 21-year old singer-songwriter Sir Taegen Harris. Born and raised in Houston, TX, Harris marries ethereal vocals, delicate percussion, and soothing guitar riffs into a dreamy & nostalgic fusion of indie rock, psychedelia, and dream pop. Love Spells is defined by passionate romanticism, his songs revolving around themes of love, intimacy, and heartbreak. Instagram · TikTok · Facebook · Youtube
Schur
Schur is an indie-rock musician blending raw rock energy with the rhythmic influence of hip hop and a touch of reggae. Based out of Connecticut, he writes and records as a nomad, using the globe as his inspiration. Linktree · Spotify · Instagram · YouTube
Gilla Band
Giraffe is the first new music from Gilla Band in nearly 4 years. This follows their critically acclaimed 3rd album Most Normal which Pitchfork described in a best new music review as “a masterpiece of panic and deconstruction”. Live The Guardian described the band’s set as feeling “genuinely dangerous, like one last rave before the apocalypse, and as perfect an expression of rock’n’roll’s essential auto-destructive impulse as this writer’s ever heard.”For over ten years now, the Dublin quartet — vocalist Dara Kiely, guitarist Alan Duggan Borges, bassist Daniel Fox, and drummer Adam Faulkner — have been redefining what you could loosely call “rock music” in the 21st century, influencing a wide swath of similarly forward-thinking guitar acts along the way. The band perfected a vision that wasn’t quite post-punk, wasn’t quite noise-rock, wasn’t quite anything besides an idiosyncratic, ground-breaking hybrid that could only come from the four of them – Giraffe is their bold new offering. Website · Instagram · Facebook · Spotify · YouTube
